[Allen Ginsberg observing a plaster model of the young Alice Notley, (part of an installation), modelled for the artist, George Segal]
Alice Notley talk on Allen Ginsberg and his exemplary internationalism continues and concludes today
Poem 6 is a song, “Industrial Waves,” that is to be sung (and I don’t know the tune) – “And I know Allen will follow me tound the world with his terrible singing voice” Ted (Berrigan) wrote, but it wasn’t that terrible at all. “Freedom for Indonesia to murder half a million/ Freedom for South Africa to stabilize the Bullion/ Freedom … Read More
KK: There’s an awful lot in my poems that I don’t understand at the time of writing them and if I understand them as I write them it’s usually a bad sign but I don’t think that’s ever happened.
“There are certain constants in my work and one is this interest in juxtaposing one thing against another in such a way that it’ll be dramatic and beautiful and funny and interesting. Incidentally, my work … Read More
Vintage WNET USA-Poetry continues. This weekend – Frank O’Hara and Ed Sanders (starting with Frank O’Hara) . This priceless footage (O’Hara died a few weeks after the shooting of the film) includes footage of him reading his ebullient, witty poem for Allen – “Fantasy (dedicated to the health of Allen Ginsberg)”.
The film begins, however, with a reading of “Mozart Chemisier” – (“Mozart Chemisier” is a poem I wrote after visiting David Smith, the great American sculptor, in his house in Bolton Landing and it’s really called.. (Chemisier”) and the Mozart comes in because he was his favorite … Read More
Lawrence Ferlinghetti on Reddit – on what is his favorite Allen Ginsberg poem – “Aunt Rose” because it’s a very touching, deep and profound expression of love and empathy of his old Aunt Rose. It’s even more powerful than his long poem [“Kaddish‘] about his mother.”
[Kenneth Koch – Portrait of Kenneth Koch by Alex Katz]
Kenneth Koch Q & A from 1979 continues
KK: Maybe we should have some more questions. What would you like me to tell you about?
Student: What do you at Columbia?
KK: I teach three courses there. I’m a regular Professor. I teach a writing course with twelve students. It’s, I mean, in this writing course, it’s not just a poetry-writing course,
I have people writing poems and stories and plays. I even usually have them write, sometime in the year, one long lonely piece of criticism, because … Read More
Student: You.. When you write, do you get edited at all?
KK: I’ve never allowed anybody to edit me at all. People don’t edit poetry. I mean, if they do, they’re loco, I mean in the… You know, it depends.. If, say, John Ashbery were editing a magazine, and I sent in a poem, and he said, “Kenneth, I don’t.. … Read More
[Kenneth Koch (1925-2002]Kenneth Koch last week – Here’s transcription of Kenneth’s (Summer Academy of Practicing Writers) May 26, 1979 Naropa class
KK: [on being confronted with a tape-recorder] – Am I registering alright on the future? – ”nothing must be lost” – I don’t know when anybody’s going to find time to listen to all the things that are being recorded in the present. They’ll be wasting their … Read More
Our serialization of Allen’s 1978 Naropa Institute lecture series, Meditation and Poetics continues
with this class from July 24 1978
AG: So, heroic days, the (19)20’s and (19)30’s, with heroic figures making movements which are based on real philosophic ideas, which were themselves based on new notions of sense perception, sharpening and focusing of sense perception. Oddly enough, in the twentieth-century, there was this breakthrough . Maybe because everything was so confusing, so relative, the Industrial Revolution had gone so far and everything began changing so much that there was no intellectual standard, no God to appeal to anymore, … Read More
AG: So the last thing we had in the anthology was a poem read (by Guillaume Apollinaire) at the marriage of Andre Salmon, and the reason I put that in is that, in addition to inaugerating double-sight Cubism juxtaposition modernity (of psychological modernity, as well as bellowing buses and tramcars and electric wires), he also inaugerated that “Personism“that Frank O’Hara writes of (as) his basic theory of poetry, which is that because the poet is the maker of the word, anything that happens to the consciousness of … Read More