Blake continues – (Poetical Sketches)

AG: I have this chronology here, so I’d like to run over a few things in it.  The beginning of this (is on page) four hundred.  Little miscellaneous poems.  In the miscellaneous poems of the Poetical Sketches,  which are 1769 or so, there’s one “To Spring”, “To Summer”, “To Autumn”, To Winter”, and they’re all really very Shakesperean-sounding, and very vivid They were written when he was fourteen, maybe – really early – and in autumn there’s a funny one – “Thus sang the jolly Autumn as he sat,/Then rose, girded himself, and o’er the bleak/Hills fled … Read More

Friday’s Weekly Round-Up – 368

June 3 – this Sunday – is Allen’s birthday. To celebrate the Howl Happening Gallery in New York City has organized once again it’s now-annual event.  This year it features David Amram, Ed Sanders, Hettie Jones, Eileen Myles, Simon Pettet, and Peter Hale (manager of the Ginsberg Estate), amongst others. The event will be hosted and m-c’d   by Ginsberg’s “right hand man“, his long-time secretary, the poet Bob Rosenthal (whose long-awaited memoir, Straight Around Allen, is due out this Fall). There’ll be a film presentation, and an energetic group-reading of “Howl” (“I saw … Read More

Friday’s Weekly Round-Up – 363

An Allen Ginsberg Symposium coming up next week at the Poetry Project. Three days of events next Thursday through Saturday. Full details of the programming can be found here. Highlights include, “Allen Ginsberg: An International Poetry, Its Genius & Particles”, a keynote talk by Alice Notley, workshops with Anne Waldman and Ed Sanders, an opening-night (Thursday-night) reading with Anselm BerriganRin JohnsonPatricia Spears JonesSharon MesmerLara Mimosa MontesTrace Peterson, and sam sax, and much more.

 

Allen Ginsberg’s Iron Curtain Journals (announced here a couple of weeks back), … Read More

Barry Farber – 7 (interview concludes)

The Allen Ginsberg-Barry Farber radio transcription that we’ve been serializing continues and concludes today

BF: I want (you) to read from the Table of Contents, like the virtuous… AG: (It’s) [“Wales Visitation‘] a bit long, like eight minutes or so. Something.. And I had been used, generally, on television, to be told to please make it one minute – “Please make it two minutes” – (because they don’t realize the power of poetry, they think, you know, that everybody’s going to get bored!) So I’ll read it again and I’d like to dedicate the reading to the absent … Read More

Elazar Larry Freifeld Tel Aviv 1988 Interview

[Allen Ginsberg in Jerusalem, 1988, praying by the Western Wall.  Photograph by Steven Taylor]

Allen Ginsberg in Israel.

This interview with Elazar Larry Freifeld was conducted at Tel Aviv University in 1988, and published in Moznaim (in Hebrew). It appeared a year later (In English) in The Tel Aviv Review, and most recently in the Jerusalism Review.

LF: Welcome to Israel, Allen. You come at a very troublesome time [civil war in Lebanon].

AG: Ah, it’s the same all over the world. Everyone has their own tsurus [“trouble”, in Yiddish]. In Nicaragua, the CIA is fomenting trouble, in Columbia … Read More

Steven Taylor

[Steven Taylor,  Tibet House Benefit rehearsal, February 28, 1995. Photo: Allen Ginsberg]

[Allen Ginsberg photographed by Steven Taylor/ Steven Taylor photographed by Allen Ginsberg, NYC 1995 – courtesy The Estate of Allen Ginsberg]

The dedication to Allen’s Cosmopolitan Geetings volume (1994) reads -“To Steven Taylor”  followed by that echoing line of William Shakespeare – “If music be the food of love, play on” – Steven, most definitely, did and has. It is a major omission that we haven’t focused on him before, here on the Allen Ginsberg Project – (altho’ we have – see for example here, here, hereRead More

WNET – Frank O’Hara & Ed Sanders – Ed Sanders

[Ed Sanders in 1965]

WNET  USA -Poetry – continuing from yesterday (this section begins approximately sixteen minutes in)  –  Today – a 1965 profile of Ed Sanders. He begins with a definition of his ethical options (and a reference to L.Ron Hubbard!)

ES: Well, I’m going to get a cream-gilded yacht and I’m going to communicate with my neophytes through ship-to-shore phone. No, I don’t know what I’m going to do. I will probably… I will sell out, No, I don’t know what I’m going to do but I hope I don’t. No, see, the temptation of money. … Read More

William Blake’s Birthday

William Blake was born today, two hundred and sixty years ago, in London, England

We salute the great, inspired, poet, painter, visionary.

Here’s poet, scholar, literary maverick, Iain Sinclair, for the British Library, on an essential quality of the man – William Blake’s radicalism

[Blake’s image of Albion, accompanying the words Albion rose from where he labourd at the Mill with Slaves/Giving himself for the Nations hedanc’d thedance of Eternal Death]

and here’s Sinclair speaking of Blake’s spiritual visions

[The Ghost of A Flea – William Blake (c.1820)]

Allen Ginsberg and William Blake – we have covered the relationship … Read More

Friday’s Weekly Round-Up – 331

[Allen Ginsberg, 1968.  Photo: Larry Keenan Jr.]

More Ginsberg memories (see last week) – Judy Goldhaft, director of The Planet Drum Foundation, recollects an unusual seder:

“For the first time since the crucifixion, there was a total lunar eclipse on the night of the seder in 1968. That apparently happened also on the night of the Last Supper and we were all aware of this. We had a seder near Duboce Park. [San Francisco] The Hells Angels were there and the Diggers were there. My son asked the Four Questions, and…asked  Allen Ginsberg [as tradition … Read More

Friday’s Weekly Round-Up – 322

The Complete Songs of Innocence and Experience, as tuned by Allen Ginsberg on Omnivore Recordings  (first time on CD & digital, including rare and previously unreleased material).  As anticipated, the raves are coming in.

Here’s Thom Jurek on the allmusic web-site, singing the praises of what he refers to as a “treasure” of a document.

“It’s impossible to overestimate Ginsberg’s  influence on American culture; likewise, these recordings are nothing less than an integral, inseparable part of his oeuvre. It’s obvious that while Ginsberg took great delight in making these recordings, he also took them very seriously; his intent is … Read More