[Allen Ginsberg at Capel-y-Ffin (“Wales Visitation”), 1967 – Photo: Tom Maschler]
“…rubber booted in soft grass, mind moveless, /breath trembles in white daisies by the roadside, Heaven breath and my own symmetric/ Airs wavering thru antlered green fern
drawn in my navel,/ same breath as breathes thru Capel-Y-Ffin..” (from “Wales Visitation”)
Eco-watch – They’re thinking of putting a telecommunications mast in one of the most beautiful parts of the Llanthony Valley. Read more about the resistance here
The Beat Scene – Photographs by Burt Glenn – edited by Tony Nourmand and Michael Shulman (with an essay by Jack Kerouac), a dazzling portfolio of images shot between 1957 and 1960, both in New York and San Francisco – close up, contemporaneous, and at the heart of the Beat phenomenon – has just recently (just this month) been published by Reel Art Press.
From the publishers’ notice:
“This magnificent volume features a remarkable collection of largely unseen photographs of the Beat Generation by renowned Magnum photographer Burt Glinn. This amazing, untouched treasure trove of images was … Read More
“In a climate of fear and hysteria..” – It’s always revealing and instructive to “get to see the files”. We featured a lengthy post on Allen’s FBI files some years back (courtesy the pioneering work of Shawn Musgrave and Muck Rock). Another tenacious investigator. S.P. Sullivan is to be commended for just recently uncovering William Carlos Williams’ files – “He was one of Jersey’s most famous poets. The FBI worried he was a Communist”. Sullivan’s full report (just published, by Inside Jersey magazine, and on-line at NJ.Com) may be accessed – here
And the big news (announced in the New York Times this week) – the upcoming publication of Little Boy, ninety-nine-year-old Ferlinghetti’s surprising new novel (due out from Doubleday next year, to coincide with the occasion of his one-hundreth birthday) – ““It’s not a memoir, it’s an imaginary me,”, Ferlinghetti is quoted as declaring – ““It’s an … Read More
Last week, we featured transcription from a tape in the Stanford University Archives that featured an interview with Jack Kerouac’s childhood friend (and Allen’s friend) jazz aficiando, Seymour Wyse. This week, from the same tape, the conversation is followed by an interview with an earnest young English student (presumably an undergraduate at Leicester University, prior to the reading Allen gave there with Steven Taylor and Peter Orlovsky in the Fall of 1982 – at one point in the transcript, Allen breathlessly itemizes his itinerary)
Interviewer (Student): Do you make recordings of all your work?
AG: So, working last night reminded me of something that I hadn’t tried formulating, or vocalizing, which is that to write a work of genius, of any density and thickness and length (except for the little ditties and brilliant pieces that you can write right off, spontaneously, little short poignant things like that “On Neal’s Ashes”, which are, little poignant poems, which everybody has written of their own), the situation arising where you actually get involved in a work and sit continuously at it for twelve, … Read More
BF: I’m Barry Farber, Peter Orlovsky is with us – I think that means “the son of the eagle”
AG: Right… Russian too.
BF: Allen Ginsberg, Jonathan Robbins, that’s the poetic part of the panel. The journalistic side, who can’t care if it rhymes or has soul just as long as it asks the desired questions, Robert Goodman, a new broadcast journalist and a good one, Bullets Durgin, just said goodbye, … Read More