Friday’s Weekly Round-Up – 383

[Allen Ginsberg at Capel-y-Ffin (“Wales Visitation”), 1967 – Photo: Tom Maschler]

“…rubber booted in soft grass, mind moveless, /breath trembles in white daisies by the roadside, Heaven breath and my own symmetric/ Airs wavering thru antlered green fern drawn in my navel,/ same breath as breathes thru Capel-Y-Ffin..”  (from “Wales Visitation”)

Eco-watch –  They’re thinking of putting a telecommunications mast in one of the most beautiful parts of the Llanthony Valley. Read more about the resistance here 

Allen Ginsberg and William Blake  (sic) – Luke Walker, at Hell’s Printing Press (the blog of the Blake Archive and … Read More

Friday’s Weekly Round-Up – 381

[Allen Ginsberg & Kate Millett, Boulder Colorado, July 1978 (photo: probably snapped by Cynthia MacAdams with Allen’s camera, courtesy Stanford University Libraries/Allen Ginsberg Estate)]

The Beats and Women – that continually thorny topic (we noted last week Blair Hurley’s Paris Review article – You might also recall Lynnette Lounsbury’s piece in The Guardian, a few years back – and, indeed, Amy Newman’s “Howl” (sic)) – David S Wills’ piece in the current Beatdom, in this context, comprehensive and scholarly, is well worth a read – “Beats and Women – “The Personal is Political” –  tentative notes on … Read More

Friday’s Weekly Round-Up – 377

[Allen Ginsberg Beacon Theater, New York, 1995 – photo: Michael Stipe]

Focusing this week on Allen Ginsberg-as-photographer, with a series of interviews. Our two-part interview with Raymond Foye here and here (which should on no account be missed) will be followed, next week, (Monday), with an interview with Allen’s sometime printer, Brian Graham.

And , yes, that’s right, that’s the Michael Stipe responsible for the image above.

Here’s another Ginsberg-with-camera photo we dig (from 1992).  The photographer is Bruce Weber

Here’s yet another Ginsberg-with-camera photo  (photographer, this time, Lynn Goldsmith)

 

Kerouac painting – Following on from the successful Read More

Friday’s Weekly Round-Up – 375

The Beat Scene – Photographs by Burt Glenn – edited by Tony Nourmand and Michael Shulman (with an essay by Jack Kerouac), a dazzling portfolio of images shot between 1957 and 1960,  both in New York and San Francisco – close up, contemporaneous, and at the heart of the Beat phenomenon – has just recently (just this month) been published by Reel Art Press.

From the publishers’ notice:

“This magnificent volume features a remarkable collection of largely unseen photographs of the Beat Generation by renowned Magnum photographer Burt Glinn. This amazing, untouched treasure trove of images was … Read More

Friday’s Weekly Round-Up – 372

 

“In a climate of fear and hysteria..” – It’s always revealing and instructive to “get to see the files”. We featured a lengthy post on Allen’s FBI files some years back (courtesy the pioneering work of Shawn Musgrave and Muck Rock). Another tenacious investigator. S.P. Sullivan is to be commended for just recently uncovering William Carlos Williams’ files – “He was one of Jersey’s most famous poets. The FBI worried he was a Communist”.  Sullivan’s full report (just published, by Inside Jersey magazine, and on-line at NJ.Com) may be accessed  – here

[Allen Ginsberg in Uncle Sam … Read More

Friday’s Weekly Round-Up – 369

 “The Lost Ferlinghetti Tapes” is a mini-documentary by Paul Iorio that presents audio excerpts from an exclusive interview he conducted with Lawrence Ferlinghetti in 2000 — inter-spliced with segments about Ferlinghetti, City Lights, the Beats, Allen Ginsberg, “Howl” and the “Howl” trial.

And the big news (announced in the New York Times this week) –  the upcoming publication of Little Boy, ninety-nine-year-old Ferlinghetti’s surprising new novel (due out from Doubleday next year, to coincide with the occasion of his one-hundreth birthday) – ““It’s not a memoir, it’s an imaginary me,”, Ferlinghetti is quoted as declaring – ““It’s an … Read More

Friday’s Weekly Round-Up – 368

June 3 – this Sunday – is Allen’s birthday. To celebrate the Howl Happening Gallery in New York City has organized once again it’s now-annual event.  This year it features David Amram, Ed Sanders, Hettie Jones, Eileen Myles, Simon Pettet, and Peter Hale (manager of the Ginsberg Estate), amongst others. The event will be hosted and m-c’d   by Ginsberg’s “right hand man“, his long-time secretary, the poet Bob Rosenthal (whose long-awaited memoir, Straight Around Allen, is due out this Fall). There’ll be a film presentation, and an energetic group-reading of “Howl” (“I saw … Read More

Allen Ginsberg 1982 Leicester Student Interview

Last week, we featured transcription from a tape in the Stanford University Archives that featured an interview with Jack Kerouac’s childhood friend (and Allen’s friend) jazz aficiando, Seymour Wyse. This week, from the same tape, the conversation is followed by an interview with an earnest young English student (presumably an undergraduate at Leicester University, prior to the reading Allen gave there with Steven Taylor and Peter Orlovsky in the Fall of 1982 – at one point in the transcript, Allen breathlessly itemizes his itinerary)

Interviewer (Student):  Do you make recordings of all your work?

AG:  Not all, but I have … Read More

Compositional Practice – (Sustained Attention – 1)

Allen Ginsberg, at Naropa, from 1980, continuing with his lecture on Basic Poetics

AG: So, working last night reminded me of something that I hadn’t tried formulating, or vocalizing, which is that to write a work of genius, of any density and thickness and length (except for the little ditties and brilliant pieces that you can write right off, spontaneously, little short poignant things like that “On Neal’s Ashes”, which are, little poignant poems, which everybody has written of their own), the situation arising where you actually get involved in a work and sit continuously at it for twelve, … Read More

Barry Farber Interview – 3

[ Allen Ginsberg and Andrei Voznesensky]

The Barry Farber 1976 interview that we featured last week continues. Audio for the interview can be heard here and here 

BF: I’m Barry Farber, Peter Orlovsky is with us –  I think that means “the son of the eagle”

AG: Right…  Russian too.

BF: Allen Ginsberg, Jonathan Robbins, that’s the poetic part of the panel. The journalistic side, who can’t care if it rhymes or has soul just as long as it asks the desired questions, Robert Goodman, a new broadcast journalist and a good one, Bullets Durgin, just said goodbye, … Read More