[Allen Ginsberg at Capel-y-Ffin (“Wales Visitation”), 1967 – Photo: Tom Maschler]
“…rubber booted in soft grass, mind moveless, /breath trembles in white daisies by the roadside, Heaven breath and my own symmetric/ Airs wavering thru antlered green fern
drawn in my navel,/ same breath as breathes thru Capel-Y-Ffin..” (from “Wales Visitation”)
Eco-watch – They’re thinking of putting a telecommunications mast in one of the most beautiful parts of the Llanthony Valley. Read more about the resistance here
JS: Would the captions change much then, the more he was captioning? Especially some of the iconic ones which he must have captioned dozens of times.
BR: Sometimes the difference would be the change of an adjective, a tweaking, but sometimes something will come up and it gets longer and longer. They all build on each other. Writing about it is the memory of the sacred. This is what the prints represent. But those silver gelatin prints, they have an eternal etching to them, and the way the eyes look, the communication is … Read More
Bob Rosenthal first met Allen Ginsberg in the mid-1970s, when he and his wife helped the poet secure an apartment in the New York City building where they were then living. He started doing some part-time work for Ginsberg in 1977, eventually becoming his fulltime secretary in 1979, a job in which he remained until Ginsberg’s death in 1997. Often referred to as Ginsberg’s “right-hand man,” his main role was to handle the increasing amount of administrative … Read More
John Shoesmith interview with Sid Kaplan on his work as printer of Allen Ginsberg’s photography continues
JS: I’m sure that famous Kerouac photo on the fire escape was one you probably could have done in your sleep, seeing as you probably printed it dozens of times.
SK: That was very tricky print to do. It was very underdeveloped, and at the time, I didn’t have the magic fluid handy. What happened with the Kerouac thing, we had it printed on a very hard grade of paper. The difference between the face and … Read More
John Shoesmith interviews Raymond Foye on Allen Ginsberg’s photography
JS: You knew Allen before you started working with the photographs. How did your role with the photos begin?
RF: I met Allen in 1973 when I was sixteen, and a junior at Lowell High School. I went with the senior English honors class to a Kerouac symposium held at Salem State College, in Massachusetts. My English teacher, a lovely woman named Rita Sullivan, allowed me to go with the senior class, even though I was a junior, because she knew I was reading … Read More
Hershorin: “Although the official repository of the Allen Ginsberg papers is Stanford University, the Ginsberg Family Collection resides in our small archives in Whippany, New Jersey, which holds materials representing Jewish life in the nearby counties of Essex, Morris, Sussex, and Union. Because the Ginsberg family has its roots in Newark, we thought it fitting that the collection should be with us….When the materials arrived at … Read More
The Beat Scene – Photographs by Burt Glenn – edited by Tony Nourmand and Michael Shulman (with an essay by Jack Kerouac), a dazzling portfolio of images shot between 1957 and 1960, both in New York and San Francisco – close up, contemporaneous, and at the heart of the Beat phenomenon – has just recently (just this month) been published by Reel Art Press.
From the publishers’ notice:
“This magnificent volume features a remarkable collection of largely unseen photographs of the Beat Generation by renowned Magnum photographer Burt Glinn. This amazing, untouched treasure trove of images was … Read More
“In a climate of fear and hysteria..” – It’s always revealing and instructive to “get to see the files”. We featured a lengthy post on Allen’s FBI files some years back (courtesy the pioneering work of Shawn Musgrave and Muck Rock). Another tenacious investigator. S.P. Sullivan is to be commended for just recently uncovering William Carlos Williams’ files – “He was one of Jersey’s most famous poets. The FBI worried he was a Communist”. Sullivan’s full report (just published, by Inside Jersey magazine, and on-line at NJ.Com) may be accessed – here