Last week, we featured transcription from a tape in the Stanford University Archives that featured an interview with Jack Kerouac’s childhood friend (and Allen’s friend) jazz aficiando, Seymour Wyse. This week, from the same tape, the conversation is followed by an interview with an earnest young English student (presumably an undergraduate at Leicester University, prior to the reading Allen gave there with Steven Taylor and Peter Orlovsky in the Fall of 1982 – at one point in the transcript, Allen breathlessly itemizes his itinerary)
Interviewer (Student): Do you make recordings of all your work?
BF: I’m Barry Farber, Peter Orlovsky is with us – I think that means “the son of the eagle”
AG: Right… Russian too.
BF: Allen Ginsberg, Jonathan Robbins, that’s the poetic part of the panel. The journalistic side, who can’t care if it rhymes or has soul just as long as it asks the desired questions, Robert Goodman, a new broadcast journalist and a good one, Bullets Durgin, just said goodbye, … Read More
[Allen Ginsberg in Jerusalem, 1988, praying by the Western Wall. Photograph by Steven Taylor]
Allen Ginsberg in Israel.
This interview with Elazar Larry Freifeld was conducted at Tel Aviv University in 1988, and published in Moznaim (in Hebrew). It appeared a year later (In English) in The Tel Aviv Review, and most recently in the Jerusalism Review.
LF: Welcome to Israel, Allen. You come at a very troublesome time [civil war in Lebanon].
AG: Ah, it’s the same all over the world. Everyone has their own tsurus [“trouble”, in Yiddish]. In Nicaragua, the CIA is fomenting trouble, in Columbia … Read More
[Lamont Cranston – The Shadow – “Who knows what evil lurks in the hearts of men?”]
AG: This isn’t in the the same meter (as Tom O’ Bedlam) but it’s a similar theme – [Allen next proceeds to read, in its entirety, his poem “The Shrouded Stranger“] – So that was somewhat the same theme. And then (Jack) Kerouac, at the same time, was saying, or conceiving.. We were discussing the notion of the shrouded stranger, a ghostly figure, or, you know, a shroud of New York, a shroud of the East River. So he wrote up… … Read More
[Allen Ginsberg, San Francisco, 1956 – Photograph by Harry Redl]
Allen Ginsberg continues, lecturing his Naropa students on metrics
AG: “Moloch who’s eyes….. da da-da da, da-da da da , da-da da ,da-da da-da da, da-da.. And if you have a gang of choruses going bop-pa-pa-bom, bop-pa-pa-bom, you’ve got something very powerful going on And so, in.. without knowing it, just intuitively, I was using choriambic and variations of choriambic meters, in the Moloch section of “Howl” – “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – (da-da da da-da da da-da da da-da) – “thousand-blind-windows”, “thousand-blind-wind..” “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – So it’s a combination of choriambic … Read More