[Seymour Wyse, Horace Mann School, 1940 (courtesy of Dave Moore)]
Returning to the extraordinary trove of tapes of Allen now in the archives at Stanford University, here’s a recently-discovered gem – Allen, in 1981, at Leicester University, in England, in conversation with the figure who turned on the young Jack Kerouac to a rich and life-long appreciation of jazz, his old Horace Mann schoolmate – Seymour Wyse.
Edie Parker Kerouac (remembering Seymour Wyse, in Boulder, the following year) : “Yeah and he used to scat, and he and Jack used to do this together. And the first time, … Read More
AG: So, working last night reminded me of something that I hadn’t tried formulating, or vocalizing, which is that to write a work of genius, of any density and thickness and length (except for the little ditties and brilliant pieces that you can write right off, spontaneously, little short poignant things like that “On Neal’s Ashes”, which are, little poignant poems, which everybody has written of their own), the situation arising where you actually get involved in a work and sit continuously at it for twelve, … Read More
[ “You’re making some sort of Cold War problem when what I’m saying is that the problem is ecological” (Allen Ginsberg to Barry Farber, 1976) – Carl Solomon, Allen Ginsberg and John Tytell are shown here at Allen’s Cherry Valley Farm – photograph by Mellon Tytell]
BF: Allen, when you got out of that plane, being kicked out of Prague, you wrote (“Kral Majales”)… Did you know you were going to write a poem before you got to London?
AG: No.. I always carry a notebook with me. Like, I’ve … Read More
BF: I’m Barry Farber, Peter Orlovsky is with us – I think that means “the son of the eagle”
AG: Right… Russian too.
BF: Allen Ginsberg, Jonathan Robbins, that’s the poetic part of the panel. The journalistic side, who can’t care if it rhymes or has soul just as long as it asks the desired questions, Robert Goodman, a new broadcast journalist and a good one, Bullets Durgin, just said goodbye, … Read More
[Allen Ginsberg, San Francisco, 1966. photo: Larry Keenan Jr. ]
Drawing this weekend from the remarkable Stanford archives. We begin with a tape from 1976, Allen and company in conversation with conservative talk-show host Barry Farber, a two-hour radio appearance (We’ll be featuring it in segments – In the first, today, the opening salvos, he has to defend himself against Farber’s avuncular but also barbed and somewhat patronizing knee-jerk anti-Communism)
[Allen Ginsberg in his kitchen, 1988 – Photograph by Brian Graham]
The Toronto photo show, “Fleeting Moments, Floating Worlds..,“ that we mentioned last week continues. What we omitted to mention was the accompanying catalog (printed and designed by the legendary Coach House Press). As curator, John Shoesmith writes in the forward – “The accompanying catalog attempts to further the story behind the Ginsberg photographs. It contains the voices of several key individuals who were crucial to the poet’s “second coming” as a photographer, beginning in the mid-1980s; from the person who planted the seed within Ginsberg to … Read More
[“Oh!” ( the mouth open-wide, a “wonder-breath” – “Ah! – “Go!” – (Allen Ginsberg & Peter Orlovsky re Ezra Pound & Edmund Waller) – 1979 – Photograph by Desdemone Bardin]
AG: Well, if you.. I ‘d like to read that whole thing [Ezra Pound’s “Envoi“] once in.. just through, to get the variance from one stanza to another, because it seems that it’s surging, a very delicate surge from stanza to stanza that really concludes in a nice way – and it’s great music. In fact, why don’t we do it together? this one.. … why don’t … Read More