AN: The second poem selected by chance (I am opening the book randomly, plonk, trying to be vaguely chronological is “Going to Chicago” – dated August 24, 1968, so this is on the way to the famous Republican convention in Chicago nominating (Richard) Nixon [editorial note – the 1968 Republican Convention was at Miami Beach; the Democratic Convention in Chicago took place a few weeks later] and characterized by violence on all sides, street … Read More
John Shoesmith interview with Sid Kaplan on his work as printer of Allen Ginsberg’s photography continues
JS: I’m sure that famous Kerouac photo on the fire escape was one you probably could have done in your sleep, seeing as you probably printed it dozens of times.
SK: That was very tricky print to do. It was very underdeveloped, and at the time, I didn’t have the magic fluid handy. What happened with the Kerouac thing, we had it printed on a very hard grade of paper. The difference between the face and … Read More
[Allen Ginsberg in his kitchen, 1988 – Photograph by Brian Graham]
The Toronto photo show, “Fleeting Moments, Floating Worlds..,“ that we mentioned last week continues. What we omitted to mention was the accompanying catalog (printed and designed by the legendary Coach House Press). As curator, John Shoesmith writes in the forward – “The accompanying catalog attempts to further the story behind the Ginsberg photographs. It contains the voices of several key individuals who were crucial to the poet’s “second coming” as a photographer, beginning in the mid-1980s; from the person who planted the seed within Ginsberg to … Read More
[Allen begins reading from “Sad Dust Glories”] – “When I sit/I see dust motes in my eye/Ponderosa needles trembling/shine green/in blue sky./Wind sound passes thru/ pine tops, distant/windy waves flutter back/oak leaves/and leave thenm still/like my mind/which forgets why the blue jay across the wood’s clearing/squwks, in mid-afternoon.”
MR: Welcome to “I Believe” and Allen Ginsberg. Allen, I suspect that a lot … Read More
Last week we reported on a poor quality tape from Stanford that illegally came out (and was dutifully squashed). This week we report on a high quality recording that was properly disseminated (included, alongside a brief notice, in Le Magazine Litteraire’s announcement of the Ginsberg digitalization). The tape “Tape 3 Ginsberg 1994” is a raw record of Allen presenting some poems, in a studio setting, for future musical adaptation. (We’re thinking that this is from the preparation for The Lion For Real album/CD, though we could be wrong, the Stanford date here is 1994, The Lion For Real recordings … Read More
Fifty-eight years ago today, Allen read in San Francisco for Ruth Witt-Diamant at the Poetry Center. A reason (as if we needed one) to draw your attention to the extraordinary resources of the still active and dynamic SFSU Poetry Center.
Ruth Witt-Diamant introductory remarks:
“Our guest today is a poet for young people, of any age, But what I mean to say is that Allen Ginsberg has seemed to young people to be their voice, in many ways – and I dare say he is. Ans I think that the reason that that has seemed so is that he … Read More