Last week, we featured transcription from a tape in the Stanford University Archives that featured an interview with Jack Kerouac’s childhood friend (and Allen’s friend) jazz aficiando, Seymour Wyse. This week, from the same tape, the conversation is followed by an interview with an earnest young English student (presumably an undergraduate at Leicester University, prior to the reading Allen gave there with Steven Taylor and Peter Orlovsky in the Fall of 1982 – at one point in the transcript, Allen breathlessly itemizes his itinerary)
Interviewer (Student): Do you make recordings of all your work?
BF: I want (you) to read from the Table of Contents, like the virtuous…
AG: (It’s) [“Wales Visitation‘] a bit long, like eight minutes or so. Something.. And I had been used, generally, on television, to be told to please make it one minute – “Please make it two minutes” – (because they don’t realize the power of poetry, they think, you know, that everybody’s going to get bored!)
So I’ll read it again and I’d like to dedicate the reading to the absent … Read More
[The participants begin, caught in conversation, in media res]
JS: Oh. – My name is Joe Stanco and I’m talking today with Allen Ginsberg and, at the moment, we were discussing Ezra Pound who’s certainly..in fact you said, at one point, “the most important American poet since Whitman”
AG: I guess. Yeah. Well… (Because ) he had more effect … Read More
[Allen begins reading from “Sad Dust Glories”] – “When I sit/I see dust motes in my eye/Ponderosa needles trembling/shine green/in blue sky./Wind sound passes thru/ pine tops, distant/windy waves flutter back/oak leaves/and leave thenm still/like my mind/which forgets why the blue jay across the wood’s clearing/squwks, in mid-afternoon.”
MR: Welcome to “I Believe” and Allen Ginsberg. Allen, I suspect that a lot … Read More
Q: You said that your poetry is a practice as well, so..is it..do you meditate every day? do you use poetry as a practice?
AG: It’s a form of practice. I sit now about forty minutes to an hour every day. There have been long periods where I’ve sat for an hour, two hours, every day, and there have been long periods where I have been on retreats where I would sit all day, … Read More
Weiss recounts the circumstances and the details of his interviews (conducted earlier this year) with Lawrence Ferlinghetti,Michael McClure, Diane di Prima, the novelist Herb Gold (“Gold would be the first to tell you that’s he’s not a Beat, but his legacy and historical context remain inextricable from his more well-branded peers”), and, in conclusion, … Read More