JS: Robert Frank was obviously an important influence for Allen.
RF: For most people I knew, Allen was a real hero, but Allen had his own heroes, and Robert was certainly one of them. Allen worshipped Robert. So the photography was a way for him to bond with Robert, and to be his student. He had another friend who was a photographer, who lived above Strand Books (in New York), Hank O”Neal. He was the commercial agent for Berenice Abbott. He was another person whom Allen relied on for … Read More
A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)
Harry Smith‘s birthday today, born in Portland, Oregon, May 29, 1923.
Allen certainly admired, and took a great many pictures of Harry (more indeed than almost any other subject). Here is just a sampling of a few of them, various locations, but mostly in Allen’s kitchen, East 12th Street NYC, 1984-1989.
See also other Harry Smith Birthday postings on the Allen Ginsberg Project – here, here, here, and here. Also, for example, here and here.
[Rusty 1941 One-Eyed Ford Coupe – Photograph by Jeffery Wells via flickr]
Student: Is the “one-eyed Ford” something you just made up now?
AG: No , the “one-eyed Ford” is a famous American-Indian twentieth-century.. It’s a great line! – It’s one of the great lines in America .. of the, as-yet, unacademicized poetry. The many many versions of the “one-eyed Ford” song (South-West – Oklahoma, actually – I heard it last year… last heard it (with Harry Smith) in Anadarko, Oklahoma) – “My one-eyed Ford”! – It’s a great line!
Lawrence Ferlinghetti on Reddit – on what is his favorite Allen Ginsberg poem – “Aunt Rose” because it’s a very touching, deep and profound expression of love and empathy of his old Aunt Rose. It’s even more powerful than his long poem [“Kaddish‘] about his mother.”
Just out this month, from Blackberry Books, Franco Beltrametti’s posthumous collection, From Almost EverywhereGary Snyder on Franco Beltrametti: “Franco Beltrametti’s smooth-barked Muse leads him across the grids of latitude and longitude to the source of good medicine poems. A suavity masks these elemental songs – or rather, gives these elder faces a modern “human” mask. Civilized in the best sense”.
and Joanne Kyger: “From “a crowded place called “future” Franco Beltrametti arrives, once again, with subtle eloquence to surprise us with his unexpected nuances and turns. These poems give us his presence….calling up … Read More