Student: … writing, instead of playing a trumpet, a sax..
AG: Yeah. Well, the notion there is that once you have fixed in your mind your theme, or once you have your theme and observe a basic form fixed in your mind, then you just blow. And anything you blow is what you blew — anything you play on the trumpet or saxophone is what … Read More
[The participants begin, caught in conversation, in media res]
JS: Oh. – My name is Joe Stanco and I’m talking today with Allen Ginsberg and, at the moment, we were discussing Ezra Pound who’s certainly..in fact you said, at one point, “the most important American poet since Whitman”
AG: I guess. Yeah. Well… (Because ) he had more effect … Read More
A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)