Friday’s Weekly Round-Up – 120

April 5 – Allen Ginsberg’s Parinirvana – April 5, 1997 – the date when Allen’s spirit left its bodily form. 

Big poetry celebration event tomorrow-night in Los Angeles (at Beyond Baroque) – Claiming Ginsberg – An Evening of Allen Ginsberg and Friends (featuring Ronee Blakely, Rick Overton, S.A. Griffin, Marc Olmsted, and a whole lot more). 

And speaking of the West Coast, a heads-up for the upcoming Hal Willner Kaddish performances (the performance at the San Francisco Jazz Festival is pretty much sold out, but you can still get tickets for the April 17 date at UCLARead More

Friday’s Weekly Round-Up – 119

Harry Smith at Allen Ginsberg's Kitchen Table, New York City, 16 June 1988 / Allen Ginsberg

[Harry Smith – Photograph by Allen Ginsberg – Copyright The Estate of Allen Ginsberg – Caption reads: “Harry Smith at kitchen table 437 East 12th Street. Apt 22, he lived in tiny quiet room off to the side of the kitchen, suffered compression fracture of knee, bumped by car on First Avenue corner – so stayed on nine months before moving to Cooperstown for half a year – still drank two bottles of beer in his room, taped ambient sounds of New York Lower Manhattan with a Sony Pro Walkman microphone wrapped in towel on outside window, ledge kitchen and … Read More

Friday’s Weekly Round-Up – 113

From last weekend’s Round-Up: 

Beat Memories – the show of Allen’s photographs currently up in New York, at the New York University’s Grey Gallery (until April 6), has inspired some intelligent response. Here’s Roslyn Bernstein in Guernica. Here’s Seth Rogovoy in the Jewish Daily Forward. Here’s Alana Shilling in The Brooklyn Rail. Here’s Arielle Budick in The Financial Times. Here’s Martin Chilton in the Daily Telegraph. Here’s Mariano Andrade’s AFP report. Here’s the Huffington Post (with a slide-show!) – and Flavorwire with even more of a side-show!)

The show continues to gather international responses – hereRead More

Friday’s Weekly Round-Up – 19

So, more On The Road movie updates. It seems now almost certain that the movie will have a Fall 2011/early 2012 debut, not a Cannes May 2011 unveiling, as had first been thought. Similarly, director Walter Salles’ original vision of a film solely in black-and-white, something, according to Indiewire, he had “valiantly campaigned for”, seems to have been jettisoned for a full-color movie.

Jose Rivera, the screenwriter, let slip on Canadian television, shortly after the wrap-up in shooting, at the end of last year, that, “there’s a lot of the original book still in the screenplay, still in the

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