Allen Ginsberg on compositional practice continues from here
Student: Ted (Berrigan) says you write poems when you’re on a retreat.
AG: Sometimes. If I’m somewhere where I don’t have to do anything, then I tend to write. Like, I wrote a lot up in.. when I went up that week for the seminary I wrote a whole… about fourteen little poems. But that was because they had a poetry reading there, and so I wrote something to read. And I didn’t like the way.. their attitude there, so I was trying to reflect on, straightforward, you know, fresh, perception, I’ll … Read More
“Dear Kay Boyle….. There is no workable poetic form extant among us today..Joyce and Stein have..gone out of their way to draw down the attention on words so that the line has become pulverous instead of metallic – or at least ductile…For myself I have written very little poetry recently. Form, the form has been lacking. Instead I have been watching speech in my own environment from which I continually expect … Read More
[Kenneth Koch (1925-2002]Kenneth Koch last week – Here’s transcription of Kenneth’s (Summer Academy of Practicing Writers) May 26, 1979 Naropa class
KK: [on being confronted with a tape-recorder] – Am I registering alright on the future? – ”nothing must be lost” – I don’t know when anybody’s going to find time to listen to all the things that are being recorded in the present. They’ll be wasting their … Read More
AG: Wallace Stevens is a great poet, but metrically not that interesting, I don’t think, philosophically interesting, so as a tiny little sample of Wallace Stevens, I just took one very late poem (from The Rock), when he was an old man – he was a friend of (William Carlos) Williams and he wrote the introduction to Williams’ first book…first Collected Poems [Collected Poems, 1921-1931, published by the Objectivist Press in 1934].
– called “Lebensweisheitspielerei” – does anybody know German? – “Lebensweisheitspielerei”
Student: Life..Life…”Leben” is life and “Spiel” is play.
AG: So “Weisheit” ? … Read More
Good morning. We have an hour I would ask you to speak clearly, there’s a lot of people in here (that’s what we like) and I want to thank Mr Ginsberg again for the wonderful show last night, it was amazing
AG: Considering that I was half-dead! (but) I get inspired when I work with Steven (Taylor), who’s a good guitarist and a good scholar, (and) who came along for the seminar
You can’t hear … Read More
AG: The other poem of (Edward) Carpenter‘s we might as well do, while we’re on Carpenter, is “The Secret of Time and Satan”. The reason I brought him up is he’s one of the children of (Walt) Whitman and one of the people who applied Whitman’s method of realistic all-inclusiveness, notation in present time, empathy in space, empathy and sympathy going out in space to make notions in present time. (It’s) a more philosophical poem based on theosophical ideas. It has Whitman’s basic impetus and … Read More