Friday’s Weekly Round-Up – 329

Last week we reported on a poor quality tape from Stanford that illegally came out (and was dutifully squashed). This week we report on a high quality recording that was properly disseminated (included, alongside a brief notice, in Le Magazine Litteraire’s announcement of the Ginsberg digitalization).  The tape “Tape 3 Ginsberg 1994” is a raw record of Allen presenting some poems, in a studio setting, for future musical adaptation.  (We’re thinking that this is from the preparation for The Lion For Real album/CD, though we could be wrong, the Stanford date here is 1994, The Lion For Real recordings … Read More

The Lion For Real – (Three Renditions)

Another from Michael Minzer and Hal Willner’s The Lion For Real – the title track. The musicians on this one – Arto Lindsay, guitar, Michael Blair, guitar (& glockenspiel), Gary Windo, tenor sax,  Rob Wasserman, bass, Beaver Harris, drums – sound effects by Richard Fussco. Allen’s sleeve note:  [“Soyez muette pour moi, contemplative Idole”] – “Be mute for me, Contemplative idol’, epigram from Tristan Corbiere‘s last stanza, “Rhapsody of a Deaf Man”.[“Rhapsodie du sourd“] –  Retrospective account of a “mystical experience” 1948 described elsewhere (Paris Review Interviews – Writers at Work … Read More