Edmund Waller’s “Song” – 1

 
 
Go, lovely rose!
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
 
Tell her that’s young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
 
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
 
Then die—that she
The common fate of all things rare
May read in thee;
How
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Allen Ginsberg 1985 “New England Today” Interview

Continuing with our on-going feature of videos from the recently-digitalized Stanford Archives – today a tv appearance from 1985, on “New England Today” (on the occasion of the publication of Collected Poems 1947-1980)  

Interviewer: My guest right now is Allen Ginsberg and he has written a number of poems and this is a big book if you like poetry, a big book of Collected Poems from 1947 to 1980, and, actually, this is your whole life in these poems, isn’t it Allen?

AG: Yes, everything I’ve written in poetry for thirty-three years, with profuse illustrations, numerous notes at the … Read More

Friday’s Weekly Round-Up – 339

[Allen Ginsberg, photographed by  Kiyohide Hori]

Never did get around to mentioning Kiyohide Hori’s photo-show of Allen and of the Howl manuscript that took place (sadly now it’s down) in Japan this past summer

More Japanese news… “the Allen Ginsberg-inspired capsule”? – Some fervid debate in the “Comments” section here – “This is everything Allen Ginsberg stood against. These guys obviously know nothing about Allen Ginsberg or what he was all about. The poor guy must be turning in his grave” – (which elicits the response: “Please enlighten us. He was against materialism, which could be related … Read More

Allen Ginsberg and Tom Schwartz on John Milton – 4

Allen Ginsberg and Tom Schwartz 1980 Naropa class on John Milton continuing from here

TS: Let’s see …”But oh the heavy change, now thou art gone -/Now thou art gone and never must return!” }  –   If you can find those lines..  I’m not sure if it’s that…

AG: In Lycidas?

TS; In “Lycidas”.  This passage may be choral or chanted.as a Greek chorus, there’s no specific indication that it is solo, and there’s,,

AG: Okay, that’s line thirty..  that’s page three oh seven, line thirty-seven –  “But oh the heavy change, now thou art gone -/Now … Read More

Allen Ginsberg and Tom Schwartz on John Milton – 3

[Bartholomeo Better (1639-1699) – oil on canvas – “Still Life With Instruments and Books”]

Allen Ginsberg’s 1980 Naropa class on John Milton (with assistance from Tom Schwartz) continues from here.

AG: I want to read one thing I’ve got here – [reads] –  “One needs scarcely elaborate on Milton’s use of music or on his father’s musical accomplishment, He had contact with the most prominent musicians in England (both in English and Italian) through his father with Nicholas Lanier,  (Thomas) Ravenscroft, (Alfonso) Ferrabosco, through the Comus production with Henry Lawes‘  – (he one long…he made … Read More

Allen Ginsberg – Ars Poetica – Dallas Texas 1980 – Joe Stanco Interview

Following on from last weekend, and complimentary to an earlier tape that we featured (from Richmond College, Dallas Texas), another video gem from the Stanford Archives – Ars Poetica – An Interview with Allen Ginsberg conducted by Joe Stanco

[The participants begin, caught in conversation, in media res]

JS: Oh. – My name is Joe Stanco and I’m talking today with Allen Ginsberg and, at the moment, we were discussing Ezra Pound who’s certainly..in fact you said, at one point, “the most important American poet since Whitman

AG: I guess. Yeah. Well… (Because ) he had more effect … Read More

Thelonious Monk Centennial

[Thelonious Monk and Allen Ginsberg, Monterey, CA, 1963 – Photograph (c) Jim Marshall]

Jim Marshall‘s remarkable photo of an awe-struck Allen, regarding Thelonious Monk, backstage, in 1963 at the Monterey Jazz Festival.  Today (we’re always happy to celebrate) is Monk’s birthday. Born October 10, 1917, it’s even more than that – it’s his Centennial !

There have been Centennial celebrations all this year, (most recently, April’s events in New York at Lincoln Center, and, this past weekend, with Jason Moran and Kenny Baron at the Kennedy Center)

and this coming weekend, if you’re in the … Read More

Ginsberg Reads Milton

Student: Has he (Milton)  (argued) to drop rhymes?
AG: No, but we’re talking… he’s talking about Paradise Lost,  His earlier works he had rhymes (and some not-rhymes). He’s a great rhymer, he knows how to rhyme.
Student:  (A fifty-percent thing, you know  – he doesn’t, and then he follows it with rhymes)
AG: Me too, yeah, my first book (The Gates of Wrath)  is all rhymes, and I go back to it occasionally. But he’s saying for heroic verse. For heroic verse, heroic rhetorical verse, that rhyme
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Milton’s Poetic Measure

AG: Now how dare we assume that it’s meant for speaking aloud anyway? (aside from all the evidence that I’ve been producing in the last four months, three months). Well, what we have is (John) Milton’s own book on that. And so, he’s got for Paradise Lost  (not in your book but in a complete Paradise Lost),  there’s a thing, a little preface he gives to Paradise Lost called “The Verse” – (and he’s telling about the verse-forms). So this was his particular scheme. Now he did Greek and Latin and he knew it real well and he wrote … Read More

Vowels and Music – (Poundian Poetics)

continuing with Allen’s commentary in his 1980 Basic Poetics Naropa class on Ezra Pound’s Manifest”

AG: I was talking about it [about “melodic coherence” and Hart Crane’s “Atlantis”].  There’s partly some element of cadence – da da da da-da da da da –da – “O Thou steeled Cognizance whose leap commits” – that’s the rhythmic cadence.   So melodic cadence of those vowels – “encintured sing/ In single chrysalis” – “encintured sing/ In single chrysalis” – that’s melodic coherence – That make sense? Mel-o-dy? tune-al coherence

And “of the tone-leading of the vowels” -. “tone-leading of the vowels”  (… Read More