WHEN thou must home to shades of underground,
And there arrived, a new admirèd guest,
The beauteous spirits do engirt thee round,
White Iope, blithe Helen, and the rest,
To hear the stories of thy finish’d love
From that smooth tongue whose music hell can move;
Then wilt thou speak of banqueting delights,
Of masques and revels which sweet youth did make,
Of tourneys and great challenges of knights,
And all these triumphs for thy beauty’s sake:
When thou hast told these… Read More
HARK, all you ladies that do sleep!
The fairy-queen Proserpina
Bids you awake and pity them that weep
You may do in the dark
What the day doth forbid;
Fear not the dogs that bark,
Night will have all hid.
But if you let your lovers moan,
The fairy-queen Proserpina
Will send abroad her fairies every one,
That shall pinch black and blue
Your white hands and fair arms
That did not kindly… Read More
Jim Carroll: I should say, like.. I mean.. just… does anybody, like, have any questions about, anything? (But), like, I’m thinking about the nature of.. I obviously ask about.. the nature of the difference between lyrics and poems, generally, but.. you know, that’s not important to.. (go further into) (We can) talk about that next time. What? Allen? [Allen puts up his hand to ask a
JC: It [“Sherlock Holmes“] – has a real long fade I don’t want to subject you to it, you know…. But this one is a regular…this is not the same song now – obviously, but this is called… no.. wait a minute.. this is called…”Shake”? – no, this is called “American Express“.
This is a better mix, it’s an engineer mix, and I think
Here’s another of his Popspots ( “Pot Is A Reality Kick” – Benedict J Fernandez‘s much-circulated image of Allen at the LEMAR (Committee To Legalize Marijuana) protest, Christopher Street at 6th Avenue, New York City, January, 1965
Charlie Parker‘s birthday today. We salute, as before, on The Allen Ginsberg Project, “the creator of the cool sound, the most modern of all horn men…”
Bird-fanciers (ornithologists) have plenty to be grateful for this year with the release this past month of Unheard Bird – The Unissued Takes, a new double-CD, featuring 58 previously-unreleased recordings made between 1949 and 1952 for Norman Granz, foumder of Verve Records, showcasing Parker in a variety of settings – in a Latin-jazz orchestra (spotlighting Afro-Cuban rhythms), leading all-star quartets, quintets, and septets, (and we do mean all-star!), solo-ing over … Read More
(JC: here, can you cue this up? first song on Side A – Student: Sure)
This is some of the stuff. I shouldn’t really play this either, but this is the stuff with a couple of new songs I wrote with me and (Ray) Manzarek – I think this one’s called.. This is a real rough mix. I made.. I had the engineer make it while the guitar guy was doing his lead lines.. so.. I figured I
Jim Carroll‘s June 30, 1986 Naropa Poetics and Music Workshop contimues – see previous segments – here. here, here and here
JC: Then, you know, the danger of course being, you didn’t want to fall into that kind of stream-of-consciousness type of scene because, I mean, that falls into a certain lassitude too easily also. So you have to use a song structure, I think. You can’t just put a
[Allen Ginsberg’s Desk – Drawing by Allen Ginsberg]
second-part of an in-depth interview with Michael Horowitz, Timothy Leary’s
longtime archivist, recently appeared. The first (posted back in November 2015)
can be seen here.
The second, brings Allen in to the picture (Lisa Rein, the Archives digital librarian, is the interviewer):
LR: What was the dynamic between Ginsberg and Leary?
MH: The synergy between them was powerful. There’s a … Read More