A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)
Student [in media res]…..he says why talk about the “”I’ which interests me not at all, and he goes on to describe other things. He wasn’t interested in describing himself as (in) personal history, so, in that sense, there wasn’t (that) sort of obsession locked inside, he was always pushing it out
Allen Ginsberg: Well..Returning to the outside to the look..Yeah
It struck me that the one perfect haiku that I wrote in Court the other day (sic), in Golden Courthouse, [Golden, Colorado] did actually examine, ((in) hindsight, written before (Chogyam) Trungpa (Rinpoche)’s discourse), did actually fit into that (three-part [trikaya] conception). The first line was – “In Golden Court, waiting for the judge, breathing silent”. So there’s an open space where there are bodies and breath. Then an identification of the personages there, recognition – “Prisoners, witnesses, police”. And then the comment (not in the form of a moral, but in the form of another issue, another image, … Read More
[Allen Ginsberg, reading at The Knitting Factory, New York City, 1995]
Allen’s 1996 Interview for the National Security Archive at George Washington University continues from here
AG: So I found I was kicked out by the Prague police and the Havana police. Then, when I got back, I took part in various anti-war demonstrations. But I found that the day I arrived in Prague, I had been put on the dangerous security list of J.Edgar Hoover as a crazed, violent, or.. I don’t know what he thought I was! – And that he should talk, I must say! … Read More
GRAHHH! GRAHH! GRAHH!
Grah gooooor! Ghahh! Graaarr! Greeeeer! Grayowhr!
GRAHHRR! RAHHR! GRAGHHRR! RAHR!
RAHRIRAHHR! GRAHHHR! GAHHR! HRAHR!
BE NOT SUGAR BUT BE LOVE
looking for sugar!
Student: I want to mention that Michael McClure has created something called a Grahh language..
AG: Yeah, beast language.
Student: (It’s in) Ghost Tantras.
AG: Ghost Tantras, yeah.
Student: ..which is, all the way, what is it, ninety-nine?
AG: Ninety-nine poems, or so [ninety-nine]. He was inspired by listening to the lions in the San Francisco Zoo, and listening to whale sounds and coyote
Allen Ginsberg’s Spiritual Poetics class continues from – here
AG: Before going on, I would like to read, in that context, a couple of texts – William Carlos Williams, and a little scribbling by (Jack) Kerouac . But I wanted also to continue with the notebook/tape-machine problem. Means. With tape-machines.. if you want to carry them around.. because they’re harder to carry around than a notebook, though it seems, for media-oriented kids, or people grown up in the last ten years, they’re so available, and the petro-chemical wonderland is so bewildering, it seems it may be just as basic … Read More
[Allen Ginsberg (left) with James Edwards (University of Tulsa)]
A fantastic interview digest that offers a snapshot of Allen in the late 1970s. Originally published in The Collegian in 1977, it’s reprinted here online in Oklahoma’s This Land In case you might end up wondering, the “Cotten-clad-One” (sic) referenced is Tibetan yogi Milarepa.
The following is an interview with Allen Ginsberg originally published by the University of Tulsa’s student newspaper The Collegian in 1977. It is reprinted here with permission from the Collegian’s publication board and TU’s University Relations office.
GIinsberg Was Here – Dharmic Dirty Old Man, gay … Read More