Buddhism and The Beats (Ginsberg 1993 – I – Introduction)

A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)

AG: Well, good evening, Rinpoche [Lobsang Samten Rinpoche] and I met very recently at the house … Read More

Trungpa Visits Allen’s Class – 4 (Q & A – 3)

 

[Allen Ginsberg

 

[Richard Roth]

 

     

[ChogyamTrungpa Rinpoche]

 

[David Rome]

Student  [in media res]…..he says why talk about the “”I’ which interests me not at all, and he goes on to describe other things. He wasn’t interested in describing himself as (in) personal history, so, in that sense, there wasn’t (that) sort of obsession locked inside, he was always pushing it out

Allen Ginsberg:  Well..Returning to the outside to the look..Yeah
 You had a hand up, Richard Roth 
Richard Roth: I’d like to ask Rinpoche a question? Allen’s being dividing poetics up into HinayanaMahayana and Vajrayana. The first … Read More

Meditation and Poetics – 101 – Haiku and Trikaya – 2

It struck me that the one perfect haiku  that I wrote in Court the other day (sic), in Golden Courthouse, [Golden, Colorado] did actually examine, ((in) hindsight, written before (Chogyam) Trungpa (Rinpoche)’s discourse), did actually fit into that (three-part [trikaya] conception). The first line was – “In Golden Court, waiting for the judge, breathing silent”. So there’s an open space where there are bodies and breath. Then an identification of the personages there, recognition – “Prisoners, witnesses, police”. And then the comment (not in the form of a moral, but in the form of another issue, another image, … Read More

The 1996 National Security Archive Interview – part 2

 

                 

[Allen Ginsberg, reading at The Knitting Factory, New York City, 1995]

Allen’s 1996 Interview for the National Security Archive at George Washington University continues from here

AG: So I found I was kicked out by the Prague police and the Havana police. Then, when I got back, I took part in various anti-war demonstrations. But I found that the day I arrived in Prague, I had been put on the dangerous security list of J.Edgar Hoover as a crazed, violent, or.. I don’t know what he thought I was! – And that he should talk, I must say! … Read More

Expansive Poetics – 61 – (Michael McClure)

 

                                           GOOOOOOR! GOOOOOOOOOO! 

GOOOOOOOOOR! GRAHHH! GRAHH! GRAHH! Grah gooooor! Ghahh! Graaarr! Greeeeer! Grayowhr! Greeeeee GRAHHRR! RAHHR! GRAGHHRR! RAHR! RAHRIRAHHR! GRAHHHR! GAHHR! HRAHR! BE NOT SUGAR BUT BE LOVE looking for sugar!
GAHHHHHHHH! ROWRR! GROOOOOOOOOOH!

        Student: I want to mention that Michael McClure has created something called  a Grahh language.. AG: Yeah, beast language. Student: (It’s in) Ghost Tantras. AG: Ghost Tantras, yeah. Student:  ..which is, all the way, what is it, ninety-nine? AG: Ninety-nine poems, or so [ninety-nine]. He was inspired by listening to the lions in the San Francisco Zoo, and listening to whale sounds and coyote

Read More