A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)
…That you are unable to understand why I make so much of Rimbaud, dismays me somewhat. Though I should dislike to be over-bumptious about it, with your kind permission, I must witness his defense. I fear that since you have read Rougemont‘s Partie du Diable you possibly approach Rimbaud viewing him as another eccentric French Satanist
News from New York – it seems that this summer’s regular Howl! Festival won’t be happening this year. More on that story here – and here
In memoriam – here is a group reading of “Howl” (from the 2010 Howl! Fest)
and here is “Plutonian Ode” (from the following year, likewise ensemble).
“In the spring of 1944, as the Second World War neared its turning point, the first skirmishes of the generational battle that would define postwar America were taking place in a lecture hall at Columbia University. When Allen Ginsberg, then a seventeen-year-old freshman, signed up to study the Great Books with Lionel Trilling, neither one of them could have suspected that they were about to begin a lifelong friendship that was also a mortal combat—over literature and politics, … Read More