AG: But – wait a minute – but, if you did a little bit of work with Titos Sompa [Congolese-Californian teaching at Naropa] and [jazz-drummer] Jerry Granelli in analyzing, not analyzing, just learning, the basic Afric rhythms that they use ( you’ve heard them play, haven’t you?)
AG: Have you heard Titos Sompa? – What are their names, Titos and..?
AG: Bemba.. They are teaching basic African rhythms, (which are not very different from this kind of five.. five-beat rhythms – in fact, what they are … Read More
AG: “The Beggars Rags fluttering in Air/Does to Rags the Heavens tear” – That’s an interesting one – “The Beggars Rags fluttering in (the) Air” (and you just see a leprous beggar, lying down on the ground, with the rags fluttering in air).. actually, there’s a very funny sort of space-shot there – that the rags would be “fluttering in Air” ) – “Does to rags the Heavens tear” – What does that mean?… Read More
AG: Then, another heroic precursor, nineteenth-century, is Herman Melville, as a poet. How many here have run across Melville as a poet? Yeah. Has anybody here read Melville as a prose writer? – Moby Dick? That’s much more common. And how many have seen his poetry again [show of hands] – Yeah – I think he’s one of the four great poets of the nineteenth-century – (Emily) Dickinson, (Herman) Melville, (Edgar Allan) Poe (and) (Walt) Whitman. His work in poetry isn’t as well known, but it’s great. And he’s got a big thick book. Robert Penn … Read More
AG: I wanted to find out… Let’s see.. I took over the space just as Philip Whalen was going to discourse on the languages that he spoke – and read…
I butted in. I was interested in hearing.. ((I want to) switch again, just a moment)..because, I was conscious (that), when I began my sentence about (reading) (Federico Garcia) Lorca, [editor’s note, he means Rilke] that I was answering first.
[Allen turns to … Read More
AG: Now we find Wordsworth later (at the very end) writing poems on Law and Order!
A group of “Sonnets Dedicated to Liberty and Order”! I’m not reading them because they’re great poems (although they are interesting), but I’m reading them because, well, what happened? .. what’s the evidence? how did he.. what did he do?