[The participants begin, caught in conversation, in media res]
JS: Oh. – My name is Joe Stanco and I’m talking today with Allen Ginsberg and, at the moment, we were discussing Ezra Pound who’s certainly..in fact you said, at one point, “the most important American poet since Whitman”
AG: I guess. Yeah. Well… (Because ) he had more effect … Read More
AG: So, now , the reason I was coming on to all of this was that the short form of the haiku or the long form of the (William Carlos) Williams sentence all say the same thing, which is – if you try to weave a series of discrete haiku-like perceptions in (Jack) Kerouac -ian-sketchy-sketch style, if you try to weave them in to one single continuous cadence of breath and a single continuous syntactical order, you’ll have … Read More
AG It’s [Trungpa Rinopoche’s tri-partite philosophy of the haiku] real interesting. It got me onto noticing what was wrong with a lot of my haiku(s), and so I found that most of my haiku(s) just had, you know, a flash, and then some location or picture. or comment, or flash and recognition, but no zappy comment, that zapped the whole thing out, that made it, So, in other words, haiku, three short parts. Does that make sense?
Student: Yeah, It’s interesting to think of a … Read More
continued from yesterday, 1980 Naropa classroom – Student is refering to another student’s writing that Allen has just analyzed
Student: For a while there, it seeemed like, like she was saying, it seemed like, I don’t know how many syllables there were, but they seemed they were pared down, to the length of haiku, almost
AG: The way she did it? – Yeah. Yeah, but it didn’t work. It was sort of like awkward haiku(s) and no single one of them made a big deal except maybe, “the rhythmic twang of the steel cord slapping against the flagpole”, … Read More
Introduction: Good evening everybody and some of you I’m sure came to the event where Allen Ginsberg was being interviewed by John Calder here today and will have suffered as Mr Ginsberg did the problems of the weather and British Rail. Years ago Allen Ginsberg wrote of Jack Kerouac that he was the sole full-moving thing, earlier today I’m afraid Allen Ginsberg was the sole … Read More
Randy Roark‘s been posting some pretty interesting Ginsberg miscellanea over on Our Allen. This is one of the most interesting. – “Poems from Tea at the Kalapa Court“.
As Randy, in a note about it, explains:
“On July 26, 1982, Chogyam Trungpa, the founder of Naropa Institute and Vajracarya (Buddhist priest), invited the artists who were present for the On the Road Jack Kerouac festival—hosted by Naropa Institute—to tea at the Drawing Room at his Kalapa Court house in Boulder, for a spontaneous poetry party. (I’m not certain they knew this before they arrived.) Later the poems … Read More
Just out this month, from Blackberry Books, Franco Beltrametti’s posthumous collection, From Almost EverywhereGary Snyder on Franco Beltrametti: “Franco Beltrametti’s smooth-barked Muse leads him across the grids of latitude and longitude to the source of good medicine poems. A suavity masks these elemental songs – or rather, gives these elder faces a modern “human” mask. Civilized in the best sense”.
and Joanne Kyger: “From “a crowded place called “future” Franco Beltrametti arrives, once again, with subtle eloquence to surprise us with his unexpected nuances and turns. These poems give us his presence….calling up … Read More