Friday’s Weekly Round-Up – 314

Very pleased to note that the Allen Ginsberg Archive at Stanford University has just recently gotten around to providing, for on-line study, a digitalized copy of the iconic “Howl” manuscript/typescript ( an endlessly fascinating document, featuring Allen’s various autograph corrections and annotations)

Allen sent the first six pages of this manuscript to Jack Kerouac, and Kerouac later sent them on to John Clellon Holmes. Holmes notes receipt on the top right-hand-corner, first page – “sent by Kerouac to me, Aug. 30, 1955 / JCH.”

[Jimmy Page and William Burroughs]

Jimmy Page, legendary Led Zeppelin guitarist just recently … Read More

Instigating the Howl Trial – March 25, 1957

Sixty years ago today, the US Customs, in the person of Collector of Customs, Chester MacPhee, confiscated five-hundred-and-twenty copies of Allen Ginsberg’s “Howl”  – a pivotal moment  

From Bill Morgan‘s  Howl on Trial – The Battle for Free Expression:

“The Collector of Customs, Chester MacPhee, confiscated 520 copies [of Howl ] because, as he said, “The words and the sense of the writing is obscene…you wouldn’t want your children to come across it.”   U.S. Customs Law required a Federal Judge, upon application of the U.S. Attorney,  to grant permission to destroy the books. But, as [City Lights publisher, … Read More

Friday’s Weekly Round-Up – 299

The Best Minds of My Generation – Very pleased to announce a new Allen Ginsberg publication (due out in April)  from Grove Press – “A Literary History of the Beats” –  (“A unique and compelling history of the Beats, in the words of the movements most central member, Allen Ginsberg, based on a seminal series of his lectures”), edited, (as judiciously and informatively as ever), by Beat scholar, and our good friend, Bill Morgan

From the Grove Press web-site:

“In 1977, twenty years after the publication of his landmark poem “Howl” and Jack Kerouac’s On the Road, Allen Ginsberg … Read More

Friday’s Weekly Round-Up – 295

howl-and-kaddish

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[Two early French editions from 10/18, Editions Christian Bourgois]

 

The European Beat Studies Network’s 2017 Annual Conference, the sixth, (this past year (2016), it was held in Manchester, England), will have a decidedly Francophile bent this coming year – “Paris Interzone – The Transcultural Beat Generation (Collaboration, Edition, Translation)”.

From the announcement by the conference organizers:

“This year’s conference will honor and address the key role that the French capital and Francophone cultures have played in the transculturalism of the Beats, by welcoming submissions in both French and English and holding a plenary session on language barriers and … Read More

Michael McClure’s Mephistos

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[Michael McClure, Mephistos & Other Poems, City Lights Books, November 2016]

Michael McClure‘s new book of poems has just been released by City Lights:    “A landmark work of bio-romanticism, Mephistos and Other Poems is (McClure’s) first completely new collection in five years…. The title sequence, “Mephistos” stems from (his) ongoing “grafting” experiment, growing new poems from fragments of his older works. “Some Fringes: is a series of haiku-like nature poems, while the seventeen-part “Rose Breaths” derives from the poet’s practice of meditation. The freestanding poems grouped under the title “Being:” pay homage to many of McClure’s collaborators and fellow … Read More

Lord Buckley

 

 

 

 

 

 

 

 

 

 

Richard Buckley – Lord Buckley (1906-1960) – Photograph by Charles Campbell

M’lords, m’ladies of the Royal Court” – Fifty-five years since the passing of the great Lord Buckley.  Just re-released by City Lights this year – what Buckley scholar, Oliver Trager has called, “this sacred artifact, this holy talisman” – Hiporama of the Classics – “First published in 1960, this new expanded edition contains, in addition to Buckley’s hip-semantic raps, a new foreward by Al Young and photographs by legendary music photographers, Jim MarshallJerry Stoll, and … Read More

Friday’s Weekly Round-Up – 241

 

The European Beat Studies Network’s Annual Conference next week. This year – in Brussels. Among the explicitly Ginsberg-centric presentations: the whole first (Wednesday morning) opening panel – “Cross-Fertilizations From East & West – 1 – Searching For Which Ginsberg Legacy?” (chaired by Jaap Van Der Bent)Robert Holton on “Ginsberg’s Performative “Howl”, Trevor Carolan – “Asian Wisdom Traditions, Ecological Poetics and Allen Ginsberg”, Paul McDonald – “Cosmopolitan Comedy – Allen Ginsberg’s Humour and the Challenge to Superiority Theory”, and Franca Bellarsi – “Ginsberg as Mediator Between Anglophone and Francophone Poetry” – and, that afternoon, (on the “Cross-Fertilization between … Read More

Friday’s Weekly Round-Up – 235

Featuring shots last week from 1967’s fabled Human Be-In. Here’s another one – from Lisa Law

[Allen Ginsberg, Human Be-In Golden Gate Park, 1967- Photograph © Lisa Law]

and here’s Lisa Law’s famous ecstatic one

[Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

And here’s a couple more from the generous and talented Lisa

[Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

[Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

[Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

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John Wieners Selected ( Supplication) and Journals (Stars Seen In Person)

Pub. date isn’t until October 6th, but we couldn’t resist putting out the word on the forthcoming Selected Poems of John Wieners – edited by a trio of editors, Robert Dewhurst, Joshua Beckman and the ubiquitous CA Conrad “About himself, the author writes; / he is a tireless worker, and has a very long memory./ Having forgotten what ensues, the anger of redundancy rises/a very lustful nature: he drinks like a fish/Crowded cupboards combine with scrap heaps disht!/ there is no man to be feared in judicial canon more than this male harlot” (!)

or – as Allen Ginsberg … Read More

The Ginsberg-Ferlinghetti Letters

 

The phrase is, of course, Emerson‘s, writing to congratulate Walt Whitman

 I greet you at the beginning of a great career, which yet must have had a long foreground somewhere for such a start. I rubbed my eyes a little to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It has the best merits, namely of fortifying and encouraging..”

This greeting was echoed by Lawrence Ferlinghetti after hearing Allen’s legendary Gallery Six reading of “Howl” in October of 1955 –  “I GREET YOU AT THE BEGINNING OF

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