Chögyam Trungpa Rinpoche wrote the Sadhana of Mahamudra in 1968 while staying in the cave of Taksang in Bhutan. The Sadhana of Mahamudra invokes the wrathful manifestation of Padmasambhava, called Dorje Trolö, to help us overcome obstacles and confusion in our time.
Interviewer: So we want to figure out what’s best, you know, what will be most comfortable for you. What I want to do is an oral history of the ‘Sixties and Austin’s an interesting area because there’s a major university with a lot of anti-war… There was a segregtion case, a very famous law case here in 1959. There’s been an awful lot of work with the valley farm workers and Chicanos, plus we”ve got the Rothschilds here [sic], we’ve got all of LBJ‘s legacy. Basically, Austin’s sort of conservative but with the university and the State Capitol here, … Read More
Randy Roark‘s been posting some pretty interesting Ginsberg miscellanea over on Our Allen. This is one of the most interesting. – “Poems from Tea at the Kalapa Court“.
As Randy, in a note about it, explains:
“On July 26, 1982, Chogyam Trungpa, the founder of Naropa Institute and Vajracarya (Buddhist priest), invited the artists who were present for the On the Road Jack Kerouac festival—hosted by Naropa Institute—to tea at the Drawing Room at his Kalapa Court house in Boulder, for a spontaneous poetry party. (I’m not certain they knew this before they arrived.) Later the poems … Read More
AG: Another corollary to – “The natural object is always the adequate symbol” (Ezra Pound) . The corollary is by (Chogyam) Trungpa here – “Things are symbols of themselves”- they stand out in their own stark obviousness, he says, if you see them (so it’s a quality of your own attentiveness and perception, grounding your mind on objects, fastening your mind on objects, and focusing your attention single-mindedly that makes it possible for you to see things as symbols of themselves, without need for things being a symbol of something else). Just.. In order to see a … Read More
[Allen (at Naropa in 1980) continues his survey through a xeroxed classroom anthology of the Sapphic form, paying particular attention today to the late work of W.H.Auden]
AG: So from that (from Robert Bridges), we get into, I think you have the Vernon Watkins and the..
AG: There’s Auden (W.H.Auden), and then from the front, mixed up in the front there’s Vernon Watkins and Louis MacNeice .. had rough Sapphics – (it’s way up front, we don’t need it now). Auden, however, is.. funny. So I think I’ll take two brief Auden Sapphics … Read More
(24) “No fear or shame in the dignity of yr experience, language & knowledge” – That’s a little bit like the negative capability of John Keats – Does anybody know that phrase – “Negative Capability”? (and how many do not know “negative capability”? – One of the great phrases of all literature and all mind-tricks (it’s a great mind-trick phrase) which is.. It’s from a letter by John Keats to his brother, saying, “I was thinking about … Read More
[“Jack Kerouac wandering along East 9th Street after visiting (William) Burroughs at our pad, passing statue of Congressman Samuel “Sunset” Cox, “the letter-carrier’s friend” in Tompkins Square toward Corner of Avenue A, Lower East Side, he’s making a Dostoyevsky-mad face or Russian basso be-bop Om, just walking around the neighborhood, then involved with The Subterraneans, pencils & notebook in wool shirt-pocket, Fall 1953, Manhattan” – (Photograph and Inscription by Allen Ginsberg) – c. Allen Ginsberg Estate.]