Friday’s Weekly Round-Up – 333

Next week in Paris (September 20-22) sees the sixth Annual Conference of the European Beat Studies Network –  “The Transcultural Beat Generation”  is this year’s focus “(Collaboration. Publication, Translation)”.  The three days are broken down as follows: Wednesday, the 20th – “French Edition(s) and Beat Intellectual Life in Paris” – Thursday, the 21st – “Beat Translation and Collaboration” – Friday the 22nd – “Marginalized Beat Artists”.

Of the specifically Ginsbergian – Thursday-evening (6-7.30) has been given over to a panel on Allen, chaired by Anna Aublet) – (rather unfortunately, it clashes with a panel on William Burroughs (chaired by … Read More

Bonnie Bremser

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Yesterday we spotlighted Ray Bremser, today we spotlight his sometime-wife Bonnie (nee Frazer) Bremser and the extraordinary document Troia-Mexican Memoirs (1969) (published in England as For Love of Ray (1971)), a “lost classic of Beat experimental writing.”

Heike Mlakar, in her 2007 book, Merely Being There Is Not Enough – Women’s Roles in Autobiographical Texts by Female Beat Writers, notes:

“The male-dominated Beat circle offered women only restricted freedom. For The Love of Ray, as well as the memoirs of other Beat women, criticizes the fact that women were doubly suppressed, by “square” society at … Read More

Ray Bremser (1934-1998)

[Ray Bremser master poet returned to New York after 8 years’ absence wrinkle-faced as before, to attend my “Rainbow Body Reading Series” at Brooklyn College & same night read at St. Mark’s Church Poetry Project. Next evening we did two poetry readings shows together for jazz-club Village Vanguard anniversary week celebrations. He left early next morning by bus, for safety from drink, to his upstate New York Utica apartment. Saw him this way the night before all these poetry scenes, at my house, February 21, 1995. (Ginsberg Caption) photo c. Allen Ginsberg Estate]

Ray Bremser (1934-1998) was one of the … Read More