“Dear Members of the Swedish Academy, For the Nobel Prize in Literature I propose Bob Dylan. Bob Dylan is a American Bard & minstrel of XX Century, whose words have influenced many generations throughout the world. He deserves a Nobel Prize in recognition of his mighty & universal poetic powers”
Allen Ginsberg, Poet, Member of American Academy of Arts … Read More
Sara Danius, permanent secretary of the Swedish Academy – “He (Dylan’s) ‘s a great poet in the English-speaking tradition and he’s a wonderful sampler. A very original sampler. He embodies the tradition and for 54 years now he’s been at it, reinventing himself constantly, creating a new identity”
WHEN thou must home to shades of underground,
And there arrived, a new admirèd guest,
The beauteous spirits do engirt thee round,
White Iope, blithe Helen, and the rest,
To hear the stories of thy finish’d love
From that smooth tongue whose music hell can move;
Then wilt thou speak of banqueting delights,
Of masques and revels which sweet youth did make,
Of tourneys and great challenges of knights,
And all these triumphs for thy beauty’s sake:
When thou hast told these… Read More
Here’s another of his Popspots ( “Pot Is A Reality Kick” – Benedict J Fernandez‘s much-circulated image of Allen at the LEMAR (Committee To Legalize Marijuana) protest, Christopher Street at 6th Avenue, New York City, January, 1965
Jim Carroll‘s June 30, 1986 Naropa Poetics and Music Workshop contimues – see previous segments – here. here, here and here
JC: Then, you know, the danger of course being, you didn’t want to fall into that kind of stream-of-consciousness type of scene because, I mean, that falls into a certain lassitude too easily also. So you have to use a song structure, I think. You can’t just put a
This weekend, following on from last weekend, transcription of the 1980 Jim Carroll music and poetics workshop at Naropa continues.
For the two previous segments – see here and here
JC: And also I mean, like, people, eventually, knew where his [Bob Dylan‘s] influences were coming from, whereas they didn’t know where Lou (Reed)’s influences were coming from. Not as many people had read Delmore Schwartz as Allen Ginsberg and Rimbaud. And so, I don’t know, there were certain songs of Dylan’s which just got…I lost faith in, for a while, you know. And then … Read More
JC: Well, I’m going to play a song that was a great.. one of
..Actually, I’m going to play this early Velvet Underground song and then I’m going to play a Phil Ochs song. For some reason,
Phil Ochs and The Velvet Underground have this weird connection for me. I mean.
they got me into poetry as much as Bob.. well more than Bob Dylan, and as much
as Frank O’Hara
Beginning today, serialization of transcription of Jim Carroll’s June 30, 1986 Naropa Poetics and Music class. [see here for Jim Carroll reading]
Larry Fagin: Ladies and gents, welcome to the second week of Naropa
[July, 1986] poetry summer camp. I’m pleased tonight to have.. and honored and
thrilled to have,Jim Carroll with us, who first came to light at aged fifteen, with
a book called, (an) amazing book called,
AG: ..all the artists in New York got together and put out a big petition…
WB: To which saying?
AG: ..saying Lenny Bruce should be protected, to which the police did not yield, to which the district attorney did not yield, to which the lower courts did not yield, to which nobody yielded for yearrs and years until the poor man was dead!