Early Ginsberg – 3 – Two Sonnets

[The Destruction Of Sodom And Gomorrah, (1852), By John Martin]

AG: Then I tried some combination… then Shakespeare , then I tried a Shakespeare sonnet (again, the same year (1948). The occasion was  reading the entire manuscript of Kerouac’s The Town and The City, and because it was so monumental and poderoso,  powerful I thought, and the prose was so grand, at the end, toward the end, it got towards Thomas Wolfe-ian, Herman Melvilleian prose, that I realized that we must be on the train to some vast destiny, that all our day-dreamy arty.. walkings-under-the-Brooklyn-Bridge-in-the-moonlight … Read More

Friday’s Weekly Round-Up – 355

Publication date next week (March 8), we’re very happy to announce and very much looking forward to it  – Simon Warner‘s new book  Kerouac on Record – A Literary Soundtrack 

Olivier Julien, (Lecturer in the History and Musicology of Popular Music, at the Sorbonne in Paris) writes:

“Following Text and Drugs and Rock ‘n’ Roll: The Beats and Rock Culture  (2013), Simon Warner partners with Literary Executor of the Estate of Jack Kerouac, Jim Sampas, to go deeper into his exploration of the connections between the great figures of the Beat generation and the music of the so-called ‘rock … Read More

Vojo Sindolic’s 1986 Belgrade Interview – part two

[Dubrovnik, in the old city – Photograph -Beth Leonard]

Allen Ginsberg interview – continuing from yesterday

VS: When you first visited me in my home in my birthplace, the old city of Dubrovnik, in October of 1980, you were so delighted by its beauty that you decided to stop and stay for a long four weeks!  During that time we spent any happy hours together, talking just about everything, making plans for the first book of my translations of your poems. It was there in Dubrovnik that you wrote two of your best later poems – “Birdbrain”. and Eroica” … Read More

Vojo Sindolic’s 1986 Belgrade Interview – part one

[Allen Ginsberg in Belgrade, 1986]

Vojo Sindolic‘s 1986 interview with Allen in Belgrade (in two parts – the second part will follow tomorrow) is our focus on The Allen Ginsberg Project this weekend.

Vojo’s translation of Cosmopolitan Greetings  (Kozmopolitski pozdravi ) has just appeared from Hrvatskoga društva pisaca  (h,d,p) (the Croatian Writers Society

Here, he introduces the interview:

“Allen Ginsberg and I were very close friends for twenty years from 1977 until his death in 1997. I felt and still feel deep love for his poetic insight, or as one may call it – it was literary … Read More

Friday’s Weekly Round-Up – 354

[Allen Ginsberg, Venice, Italy, 1995, Enzo Eric Toccaceli,  “Beat Generation, Travels in Italy” exhibition, Rome]

“Beat Generation, Ginsberg Corso, Ferlinghetti Viaggio in Italia”, (Beat Generation, Ginsberg, Corso, Ferlinghetti Travels in Italy), a show of over 200 black-and-white photos (accompanied by an apparatus of over 600 documents (books, first editions, printed ephemera, etc)  curated and presented by photographer Enzo Eric Toccaceli, opened at La Galleria Nazionale d’Arte Moderna e Contemporanea di Roma (The National Gallery of Modern and Contemporary Art in Rome) last week, and will be up until April 2nd.. For more images from the show see … Read More

On “Stanzas Written At Night in Radio City” 

[Radio City Crossing. photo by Henry Silberman]

OnStanzas Written At Night in Radio City” 

[hear Allen in a recording of him reading the poem (from the LP/CD “The Lion For Real”)  here  – (and. here (in 1980), and, from a recording from 1981, in San Francisco  at The Intersection – here]

AG:   “If money made the mind more sane./ Or money mellowed in the bowel/ The hunger beyond the hunger’s pain,/ Or money choked the mortal growl/ And made the groaner grin again,/ Or did the laughing lamb embolden/ To loll where has … Read More

Friday’s Weekly Round-Up – 353

[Allen Ginsberg in his kitchen, 1988 – Photograph by Brian Graham]

The Toronto photo show, “Fleeting Moments, Floating Worlds.., that we mentioned last week continues. What we omitted to mention was the accompanying catalog (printed and designed by the legendary Coach House Press). As curator, John Shoesmith writes in the forward – “The accompanying catalog attempts to further the story behind the Ginsberg photographs. It contains the voices of several key individuals who were crucial to the poet’s “second coming” as a photographer, beginning in the mid-1980s; from the person who planted the seed within Ginsberg to … Read More

Pull My Daisy (Collaborative Poem)

AG: And another one of the similar.. well, of a similar theme, just a crazy (crazy).. – the mad song?  you know, just the idea of the madman’s song?, was – “Pull My Daisy”,  (which began as a little lyric that I wrote, “Pull my daisy/tip my cup…”) – “Pull my daisy/tip my cup/Cut my thoughts/for coconuts...” – (Well I heard, at some point, about Christopher Smart, actually) –  “When I think of death/ I get a goofy feeling/Then I catch my breath/Zero is appealing/Appearances are hazy/Smart went crazy/Smart went crazy” – (Christopher Smart, I meant with that – … Read More

Friday’s Weekly Round-Up – 352

Opening this past week, and on through April 27, at the University of Toronto’s Thomas Fisher Rare Book Library  – Fleeting Moments, Floating Words, and the Beat Generation – The Photography of Allen Ginsberg.

 

from Thomas Marks’  interview with the Italian painter  Giorgio Griffa  (in Apollo) – (Griffa’s current one-man show at London’s Camden Arts Centre, currently up, is up until the 8th of April):

“The work of Allen Ginsberg has also provided a touchstone; Ginsberg’s elegy for his mother, ‘Kaddish’, is … Read More

Burroughs’ Birthday

William Burroughs’ birthday today

Here’s a guest-posting from our good friend and Burroughs aficianado, Oliver Harris

“How does Burroughs manage to stay so young? After all, he’s 104 and has been dead for over 20 years, and yet he still seems to have more life in him than most so-called living writers. Is it because he was always more than a writer? I’m thinking of a remark he made to Paul Carroll in June 1959, the same week that Maurice Girodias asked him for a manuscript of Naked Lunch and so launched his “career”; that he was carrying out “research … Read More