AG It’s [Trungpa Rinopoche’s tri-partite philosophy of the haiku] real interesting. It got me onto noticing what was wrong with a lot of my haiku(s), and so I found that most of my haiku(s) just had, you know, a flash, and then some location or picture. or comment, or flash and recognition, but no zappy comment, that zapped the whole thing out, that made it, So, in other words, haiku, three short parts. Does that make sense?
Student: Yeah, It’s interesting to think of a … Read More
AG: Okay. There might be some…I finished that haiku, or the Basho haiku, which wound up to be – “Old pond/a frog jumps in/kerplunk”(It was “Old pond/frog jumps/kerplunk” but that doesn’t quite sound American – you could say “Old pond/a frog jumps in/kerplunk” -so I filled out a few more syllables to that to make it clearer. And then I realized it would be a great end to a country n’ western song! – like [Allen begins singing] ““Old pond/the frog jumps in/kerplunk” – I wrote a whole bunch of … Read More
遠山が目玉にうつるとんぼ哉tôyama ga medama ni utsuru tombo kanaReflected In the eye of the dragonflyThe distant hills(Issa)
Student: Allen?AG: YesStudent: ((The compound) eye of a dragonfly, (comprises) a thousand [thirty-thousand] facets, you can’t (actually) get a reflection from it (as a singularity))AG: All dragonfly’s eyes are thousand-faceted? Well, I don’t know what we’re going to do with that. I think (here) it does come from some observation of some (natural)…Student: (But it’s not biologically accurate..)AG: We’d have to question, then, the translation, maybe. But, actually, he might have had a little ant-heap, (for) which a thousand-faceted reflection would be the distant hills.