image Ginsberg and Corso – 9

Allen Ginsberg and Gregory Corso’s 1989 interview/ conversation continues from here. This segment begins with some mutual observations on each others looks, before getting down to some choice movie-gossip, movie-memories, name-dropping ( Corso: “We’re not name-droppers, but we met those fuckers, right?”..”When we drop names, Allen, they bounce..”) 

AG  Yeah, (so) that’s the first time (you’ve grown a beard)
GC: First time. So the idea… You’re talking here of a chin
AG: My lines are a little longer
GC: Oh yeah and you shave it on the side, see, yours is neater. So it shows that you’re neater than me because I’ve lived and got fuck all. I’ve been shaving all my…
AG: No, no, this is more classical what you’ve got.
GC: You’ve got a bigger brow so it’s better, you’ve got to show full face, I’ve got a little brow. I have all this hair.
AG: I know that makes you younger
GC: No, it makes me have a thicker a nose and beady eyes. That’s all they see the eyes and nose and a (big) nose
AG: You look like a rich Hollywood actor..
GC: Yes I do, and..
AG: ..that is on location
GC:  Is that like Geppetto?
AG: No, more like that –  a rich Hollywood actor on location in a character role
GC: Ha ha ha!

GC: Did you ever check out, speaking of actors, John Huston?   

[John Huston (1906-1987)]

AG: Yeah.

GC: I read a book and I liked him a lot. The book was called (A) Picture by Lillian Ross on the movie, The Red Badge of Courage.

AG: African Queen?,  no.

GC: Red Badge of Courage.

AG: How was that?

GC: She got him just right.. He seemed like a fine man Remember when we met him?

AG: Yeah

GC: We met him just when he was going to do The African Queen.

AG  Rue de Ségur? (L’avenue de Ségur)

GC:  Oh no, (The) Roots of Heaven. He had finished African Queen already, but we saw it . We saw him in 19..

AG: On Rue de Ségur was that? ..or..

GC:  Yeah. Remember, we were playing (the) pinball machine with Tristan Tzara

AG: Right

GC: He had come in with some other people and our friend BJ, (the big motorcycle guy that became an actor after a while – that Beeson Carroll, he became an actor on tv, and all that shit), went up to him and said, “One day you’re going to direct me”, and all that shit, right?

AG: Yeah

GC:  He got to dig usand I said “Ah..

AG: What, was Beeson there when we met him?

GC: Yeah

AG: or did we bring him?  bring him to the..boat later. I think it was just you and I…

GC:  Brought him to the boat later. We met. I remember because when he said to John Huston, “You’re going to be my director”, Yes

AG: I’m afraid that’s that’s.   That was..

GC: Before the boat !

AG:  Before the boat, ok,

GC: So  I just thought..

GC: I got it. I got the story, Allen

AG: Ok, ok

[Tristan Tzara (1896-1963)

GC:  I’m playing pinball with Tristan Tzara, right?, so, and at the end of the game.. So, at the end of the game..  You and I were watching Tzara play pinball, and I went over and got John Huston and said, “You wanna meet a great poet? You know who that is there?” – And he says “Yes I know, I’ve got paintings “ – and he sure has, right, he has thehref=”https://en.wikipedia.org/wiki/Impressionism”> Impressonistsand what-not – so Tristan’s hanging with them, all the while, (and he hadn’t met Tristan Tzara).  So Tristan kept on nudging me, and so, he said, “I don’t have to talk to those people, lets play pinball”.  Isn’t that beautiful? – “I don’t have to talk to those people, lets play pinball”.  Then it was href=”https://bistro-paris.com/bistro/le-bonaparte”>the Bonaparte barit was upstairs where, what’s his face, href=”https://en.wikipedia.org/wiki/Jean-Paul_Sartre”>Jean Paul Sartre – Sartre lived upstairs. And it was a little bar, it wasn’t like a Paris dancing place.

AG: Café Bonaparte

GC: Café Bonaparte on the Rue…Rue Bonaparte

AG: Yeah, right off the..

GC: the Deux Magots

AG: Place Saint-Michel

GC: Yeah

AG: Place..

GC: St Germain.

AG:  St Germain Right across from that church of St Germain

GC: Yeah, and the Deux Magots.

AG: And behind the Deux Magot

GC: Yeah behind the Deux Magot.   Right now, dig, then he invited us to the Baton Rouge

AG: So this would be 1957-58.. 1958?

GC: Right . He invited us to…

AG; 1958?,  Yes.

GC: They finished making a movie called Roots of Heaven, I think around 58

AG:  Would this be your first trip to Paris or your second?

GC: That was my second trip to Paris

AG: So that would be after Naked Lunch came out

GC:  58.  We met them in 57 and 58, Allen. Anyway, lets forget the dates, lets talk about the details alright? –

So he invited us to this big party with Darryl Zanuck who’s got to be (with) Art Buchwald   – (I think it was Art Buchwald who got us on there – that’s it.

AG: Yeah?

GC: See we lucked out, we had met John Huston, John Huston was amazed to meet us on the boat (he didn’t invite us to the boat parties).

AG: I see

GC: It was  Art Buchwald invited us. He did an interview with us

AG: Oh I thought it was Huston.  Because we spent.. See, when we were talking with Huston, my whole purpose was to try and get him to make a movie of Naked Lunch.That was what we were interested in. We talked to him about Burroughs

GC: There you go, there you go. He should have grabbed it right then and there

AG: Yes but that was what was interesting

GC: Ay-yi-yi-yi!

AG: And that was very early. Alright, so we started telling him about Burroughs and about Naked Lunch..

GC: Now on the boat there was Daryl Zanuck

AG: ..now he was very intelligent. What else did we talk about at the bar

GC: Yeah, let me tell you, I liked the guy, I liked the guy..

AG: Well we spent quite a bit of time with him. It was about two hours..

GC: Because  if you read  this biography of, yeah, biography by this lady Ross [sic], he comes out as a very sharp man  the rest sound like assholes  but he comes out smart. He was wearing his African clothes. He had his secretary always with him, a very tall, imposing man,

AG: I didn’t know he had a secretary..

GC: Yeah and we hand him the books, he was then looking in to an African window, a sort of African display.

AG: Uh-huh

GC: This was on Rue Raspail (Boulevard Raspail)- We had caught up with him again. We gave him our books. I gave him Gasoline.You gave him Howl

AG: Yeah

GC: Yeah yeah yeah , right… But he didn’t – or did he? because I know Art Buchwald did, invite me and you and all that. We went. We brought Beeson Carroll. We brought Beeson Carroll and who else? – Peter

AG: Was Peter with us?

GC: Yes. Now Beeson Carroll fucked up. He grabbed Errol Flynn’s beard. No, Errol Flynngrabbed his beard, Beeson Carroll’s beard, you know why?  Beeson Carroll went up there  – you said  Roots of Heaven, right? – on this boat where everybody’s celebrating

AG: on the Seine

GC: on the Seine

AG: Who was the lady there?

[ Juliette Gréco and Errol Flynn in The Roots of Heaven]

GC: Juliette Gréco, who was after Darryl Zanuck, or he was after her, whatever, they were a pair

AG: And wasn’t Katherine Hepburn..?

GC: Katherine Hepburn, no, no, that’s definitely African Queen…they didn’t have Katherine Hepburn, man.

AG: But they were coming off  The African Queen, weren’t they?

GC: No, they were coming off Roots of Heaven – the Romain Gary book. – There was Trevor Howard dancing like mad, there was Juliette Gréco who was in the movie,

AG: I see

GC: there was Errol Flynn, who was in the movie, believe me, the lead.

[Errol Flynn (1909-1959)]

AG: Ok

GC  Darryl Zanuck had nothing to do with The African Queen

AG: Ok Ok

GC: Spiegel – Sam Spiegel had that

AG: Ok

GC: So we had all these intrigues going . Now, Flynn, at this time, had this eighteen-year-old girl named Beverly..something… blonde , eighteen- year-old, she delivered the newspapers, He’s got this young chick, right?, ok?.  And I loved Errol Flynn, man, as a kid, and all that, and… He had read the Buchwald column and knew that we were poets and he loved us. He said, “Oh leave  them, they’re poets, they’re fine” (because the trouble-spot was Beeson). Carroll Beeson, the bearded guy, went up to Errol Flynn and said “Hey man, I hear somebody broke a popper under your nose when you were flying in an aeroplane, how was it like?”” – Flynn turned red, grrrrr! , and grabbed Beeson’s beard! (Flynn was protected by five black guys who were in the movie Roots of Heaven – they played the black chieftains, right?, but they come from Los Angeles these blacks, they were like the strong overlords,  right?  So what we did was they stop the boat. You got off, Peter and him. Once they got off, Buchwald and John Huston..

AG: I don’t remember Peter being there. I remember getting off with BJ and ..

GC: Yeah

AG: .walking him home

GC:  No you didn’t do that, but what you did when they let you off, you knelt down, on the pier..

AG: Yeah

GC: …on the pier, and started praying for us! (and Buchwald said ,”Look what they’re doing, praying for us?” – Everyone was amazed! Now I started crying because I think “My friends, I can’t leave my friends, this ain’t right, get me off the boat!” So they stopped and let me off. But I cursed you guys for ruining my fuckin’ night.

AG  Me?  I didn’t do a thing!

GC: Well you left me, you left the boat, you left me – and Beeson, I cursed him, that fucker!

AG: No, they went to kick him off the boat..

GC: I know.

AG: ..and I felt so bad about him screwing up.

GC: You’re a good man, Al, and I’m a good man, but  when I heard they’d pulled you off too, and they were laughing, and…

AG: I probably shouldn’t have gotten off, I should have left him to his own…

GC: Yeah, let him off, man.  See, I was having a good time, talking to John Huston..

AG: But you did stay on the boat?

GC: I left right after that. But let me tell you what happened with John Huston, alright?. I said “Man, how come..” – I said “Man” – “Man, how come there’s always a gun in your movies?”

AG: Yes.

GC: Oh, he got pissed – “Don’t call me “Man””

AG: Really?

GC: Yes, “Don’t call me “Man” (he said that). Then I talked about the atom bomb before Zanuck. Now, he didn’t have to hear about the atom bomb because he had all his money on The Route to Heaven, He was worried about that. He didn’t think a fuck about the atom bomb –  and with Juliette Gréco on top of it..

AG: What did you tell Zanuck?

[Daryl Zanuck (1902-1979)]

GC: He laughed.. He laughted.  (“The) atom bomb? – I got this girl I’ve gone crazy over, I got this woman I put all this money on..”  What does he want to know about the atom bomb ?!

AG: Is that what he said?

GC:Yes  (laughing)  Zanuck – You would think that he’s a Jew and he ain’t. You know that? (Besides)  all of those moguls, the only non-Jew  – It shows you how people get prejudiced and stupid, they make a mistake. You can tell they’re  thinking, “Look, it’s typical”,  right? – No way. –   Yeah, Juliette Gréco just put him down all the time, that’s all.

AG: Really?

GC:  Oh yeah –  She was down on him.  Anyway that was all one splurge in Paris at a time, with names.

AG: But that one splurge, with names..

GC: When we drop names Allen, they bounce, right?  We’re not name droppers in other words, but we met  those fuckers, right?  So what about the other ones we met at the same time  …  Michaux when we had that peeing thing..

to be continued

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