Friday’s Weekly Round-Up – 366

Allen Ginsberg in Benares, India, 1963

Allen Ginsberg in Asia – another early taste of David S Wills’  World Citizen – Allen Ginsberg as Traveller, (due out later this year – his fourth book, and another must-read from Beatdom‘s spirited editor).

Also from Beatdom this year (we mentioned these titles last week), The Buddhist Beat Poetics of Diane di Prima and Lenore Kandel  by Max Orsini, and, Straight Around Allen – On The Business of Being Allen Ginsberg by Bob Rosenthal.

Must-read, certainly, would also be Sudarsan Raghavan‘s piece (first appearing in The Washington Post, and reprinted in the San Francisco Chronicleand elsewhere) on Mohammed Mrabet – “Rediscovered in the alleys of Tangier, Morocco’s last link to the Beat Generation feels broken” – Raghavan recounts the strangely difficult task of tracking Mrabet down, and his curious anonymity amongst his fellow countrymen

Mohammed Mrabet, 83, at his home in Tangier, Morocco – Photograph by Yoriyas Yassine Alaoui for The Washington Post)

“Outside Morocco, he was still known and appreciated in certain literary circles. In 2016, for instance, Mrabet’s stories were the subject of a BBC broadcast, and his paintings are still sought by European collectors. Inside Morocco, however, there has been silence. “I don’t have any value in my country,” Mrabet said. “They don’t know who I am.” Nor does he exhibit much fondness anymore for the American writers he had befriended. (Truman) Capote, he said, was “a good man.” But, Mrabet continued, the novelist “would come and hug me and kiss me. I hated that.” Mrabet felt the same away about poet (Allen) Ginsberg.”

As for his most-famous collaborator, Paul BowlesMrabet is pictured as abidingly bitter – “He stole all my stories..I never received my royalties..” (Bowles’ literary executors deny this). He also blames the Beat writers for destroying Tangier. Their fame and writings, he declares drew “crazy people” and “drug users” to the city. “The writers brought those people with them…They caused Tangier to die.”
For more on fading Beat echoes in Tangier – see here.

The European Beat Studies Network, it may be remembered, back in 2014, held their third annual conference there.

Paul Bowles in Morocco, 1961. Photo: Allen Ginsberg, courtesy Allen Ginsberg Estate

William Burroughs news from our good friend Jan Herman (including a heads-up on the projected September 2020 CUT-UPS@60 gathering – two days of events, multidisciplinary events, to be celebrated in London and Paris, on the occasion of the 60th anniversary of the first publications utilizing the famous Burroughs-Gysin “cut-up” method).

And while we’re on the subject of Burroughs, check out this – a clip from John Aes-Nihil’s William Burroughs in the Dream Machine

and yes, that’s the young Leonardo DiCaprio there.  Check out the dynamic at the beginning –  Allen photographing Leonardo, Leonardo photographing Allen! – (in 1996, at LACMA (Los Angeles County Museum of Art), on the occasion of the opening of the Burroughs exhibit)

Jack Kerouac and  St. Petersburg, Florida – Roy Peter Clark in the Tampa Bay Times has some provocative thoughts about the Kerouac house there

Jack Kerouac house at 5169 10th Ave, N, St.Petersburg, Florida

We’re alerted you already to Simon Warner’s wonderful collection – Kerouac on Record. Here’s Christopher John Stevens review for Pop Matters

Allen Ginsberg and the Hells Angels – that ‘s another story we’ve previously visited. Bill Van Niekerken, library director of the San Francisco Chronicle visited it again this week – “A recent trip to The Chronicle’s basement archive turned up a pack of negatives labeled “Hells Angels Debate.” It’s likely that no one had looked through these negatives in decades, and upon closer inspection Ginsberg appeared in the batch. It was obvious this was a moment from the past that required retelling.” – see more from this story – here

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