The Beats At Naropa Edited by Anne Waldman and Laura Wright. Coffee House Press

I know we seem a bit biased towards things Naropa around here. Anything even remotely associated and we drop everything else and write up a storm. So here we go again, but it really is relevant, after all, the Writing in Poetics department was Allen’s baby, and we are all genuinely excited, especially about this one collection of lectures that Anne Waldman and Laura Wright have been working on for quite some time. For a table of contents, check Amazon dot com, while the Coffee House Press site offer other appetizers to fill you in. And, of course, there’s always the Naropa Summer Writing Program’s page

Beats at Naropa

Interview On Beats at Naropa: Editors Anne Waldman and Laura Wright in Conversation

Laura Wright: What was the impetus behind this project?

Anne Waldman: Editing a Beats at Naropa anthology seemed a compellingproject, because principals from this historical generation—William Burroughs, Gregory Corso, Diane di Prima to name a few—had been at The Jack Kerouac School at Naropa University in Boulder, Colorado. From the start. And it was a great choice to get you involved, Laura, because you had been through the Naropa writing program, are a poet yourself, and have impressive editing skills. And Coffee House was, of course, very supportive.

LW: Could you speak about the early years?

AW: Allen Ginsberg and I came to Boulder in the summer of 1974 not expecting to found a poetics school, albeit a poetic school we decided to name for the outrider Jack Kerouac. We found ourselves in this marvelous predicament of being anti-academic (Allen was adverse to giving grades, for example), yet being encouraged to start an educational community, and to create a unique pedagogy based on discourse, or as Allen called it “high talk”—meaning smart, provocative, original. Poets would teach what they know, and things would be discussed, mulled over. The Beat writers had intervened on the culture. It wasn’t just a matter of simply offering the usual kind of writing workshops, but reading and thinking lectures, panels, presentations, as well. The Beat writers have been exceptional as political and cultural activists, investigative workers, translators, Buddhists, environmental activists, feminists, seers. There’s so much legendary history here…

Read the complete interview – here  (2019 update, unfortunately this interview is no longer available)

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