AG: Then another thing formulated with Rachel today [sic] was, in terms of condensation, if you can find three or four different ways of saying, of arranging the same words, generally, the spoken arrangement that is the shortest has the best rhythm and is the most vivid. [To Rachel (sic)] – Do you happen to have that poem with you? that one poem where we really discovered it. You remember the line?
Student (R)…”There’s not enough time to..”
AG: What’s the next line? There’s not enough time
Student (R) …”There’s not enough time to write all the notes down”
[Basil Bunting tries his hand at editing Shakespeare]
AG: And then there was another thing.. I was talking with…Rachel [sic]…with Rachel..and we were talking about composition and condensation of poems and ..some ideas crystallized that might be useful. I’ve talked about it before I thought but apparently I had never said it around Rachel (tho; I thought I said it in any number of..over a dozen classes) there was that idea of Basil Bunting‘s, which (Ezra) Pound handed on, which was that poetics was condensation – and I think I’ll talk about that – and I’ve applied it in … Read More
AG: I used a lot.. I used a method..I used that in a lot of early poems that I was doing, imitating (William Carlos) Williams, just little free-verse poems, but I would rearrange them from prose, and arranged them into balanced little five-syllable, three-syllable, five-syllable, three-syllable, whatever – ” I learned a world from each/ one whom I loved/ so many/ worlds /without /a Zodiac” – [from his poem “The Night Apple”] – six-four, six-four. I mean, I had written it down in prose on the paper, in … Read More
[Allen Ginsberg at his 1973 Glasgow Press Conference]
We featured here last week, Allen’s interview in 1973 in Scottish International. Featured today is a companion piece from The Glasgow Review (drawing from the same press conference). The piece was initially titled “Of Burns and Watergate” (referring to the two main topics).
Interviewer; What do you think of the present state of the Watergate affair?
AG: Well what the underground both in America and England have been saying for a long time now has become accepted currency in the minds of the above-ground, middle-class media. The specific conceptions that are … Read More
Introduction: Good evening everybody and some of you I’m sure came to the event where Allen Ginsberg was being interviewed by John Calder here today and will have suffered as Mr Ginsberg did the problems of the weather and British Rail. Years ago Allen Ginsberg wrote of Jack Kerouac that he was the sole full-moving thing, earlier today I’m afraid Allen Ginsberg was the sole … Read More
[“To sweet Daphne from her “father” William Carlos Williams” – inscription on a copy, (in his shaky post-stroke hand), of his 1955 volume, Journey to Love – to his daughter-in-law, Daphne Spence Williams – William Carlos Williams (1883-1963)]
March 4 1963, the date of William Carlos Williams‘ passing. He “died in his sleep, at home, of a cerebral hemorrhage that was not unexpected”. He was seventy-nine years old. Allen’s great master and teacher, we celebrate him extensively and frequently here on this blog. Today, we’ll draw your attention to his (1964 posthumous) Paris Review interview
“Growing up with queer films, there was always some sort of stigma attached to gay characters or gay sexuality, and I didn’t want the sex scene to feel like that in any way. I wanted the arc of the scene to go from nervousness to a place of pure enjoyment … Read More
AG: Edmund Spenser is a colossus, and he’s so big that I think we’ll go around him Except, maybe, one or two, one or two little short things – the Epithalamion – a big Leviathan poem here, marriage poem. What I would suggest is that you go home and read it. It’s got a great stanza form, it’s got a great rhythmic form. So what we might do (here) is read just the first and last stanzas, just to get the stanzaic form get a taste.. Page 162 – I’m sorry..