Friday’s Weekly Round-Up – 341

Several more images from the upcoming show of Jack Kerouac’s art at the Maga Museum in Gallarante, Italy, have been made available – here – on the Ansa web-site.

Jack Kerouac. Beat Painting’,  curated by Sandrina Bandera, Alessandro Castiglioni and Emma Zanella, is set to open December 3rd, and also includes photographs by Robert Frank and Ettore Sottsass, a project by Peter Greenaway and the video of the classic 1966 tv interview with translator Fernanda Pivano.

Did we mention? (yes, we did, it was his birthday yesterday) a new book, a biography, on the legendary Robert FrankRead More

Allen Ginsberg and Tom Schwartz on John Milton – 6

[Portrait of John Milton painted by William Blake for William Hayley’s library in his home near Felpham, England]

Allen and Tom Schwarz have just previously been discussing the influence of Latin syntax on the poetry of John Milton.

AG: So okay, what’s the point of all this. The point is that the Latin has a different order of words, that you could have, that the…verb comes at the end and that the arrangement of the nouns, the subject and the object might be in a different order. So dig now this opening line here – like “Of arms and Read More

Allen Ginsberg on the Opening of Paradise Lost

[William Blake – The Expulsion of Adam and Eve from the Garden of Eden (1808)]
Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav’nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav’ns and Earth
Rose out of Chaos: or if Sion Hill
Delight thee more, and Siloa‘s brook that flow’d… Read More

Allen Ginsberg 1974 San Francisco tv Interview – “I Believe”

Continuing our spotlight on some of the video treasures in Stanford University’s recently-digitalized archive – Allen on San Francisco television (KPIX) in 1974, interviewed by Father Mike S Riley on his inter-faith tv show, “I Believe”

[Allen begins reading from “Sad Dust Glories”]  – “When I sit/I see dust motes in my eye/Ponderosa needles trembling/shine green/in blue sky./Wind sound passes thru/ pine tops, distant/windy waves flutter back/oak leaves/and leave thenm still/like my mind/which forgets why the blue jay across the wood’s clearing/squwks, in mid-afternoon.”

MR: Welcome to “I Believe” and Allen Ginsberg. Allen, I suspect that a lot … Read More

Allen Ginsberg – Richland College reading – part 2

Allen Ginsberg’s 1980 Richland College reading – continuing from yesterday

AG: So I would say now move on to.. 1956- moving on from 1956 to 1976. I have a series of poems which will require some music also – “Father Death Blues” – if we can get together on the stage –

My father died in 1976 in midsummer and I wrote a series of poems while he was alive because I spent a lot of time with him during the previous..during the winter that he was wasting, He was quite old and not in pain because it was a … Read More

Allen Ginsberg – Richland College reading – part 1

Another gem from the Stanford Archive – Allen reading at Richland Community College, Dallas, Texas, in 1980. Video technology was in its infancy, and the performance (with student musicians) typically impromptu, so bear with the amateur nature of this tape, but it more than makes up for it, with memorable renditions of  “Sunflower Sutra”, “America” ( with improvised contemporary additions), and the recently-composed “Plutonian Ode”, (not to mention, spirited interpretations of Blake songs (Allen’s settings of William Blake)

It is with Blake that the tape begins – a rather ramshackle version of My Pretty Read More

Friday’s Weekly Round-Up – 335

William Blake and the Age of Aquarius, a stunning new show opened this past week at the Block Museum at Northwestern (Evanston, Illinois). Above is a reproduction of the catalog cover. The exhibition, curated by Northwestern University art professor, Stephen F Eisenman, is a breakthrough exhibit, exploring, for the first time,  “the impact of British visionary poet and artist William Blake on a broad range of American artists in the post-World War II period”  (notably, (but by no means confined to), Allen Ginsberg and fellow members of the Beat Generation – Allen as promoter and propagandist, conduit and curator, … Read More

Friday’s Weekly Round-Up – 333

Next week in Paris (September 20-22) sees the sixth Annual Conference of the European Beat Studies Network –  “The Transcultural Beat Generation”  is this year’s focus “(Collaboration. Publication, Translation)”.  The three days are broken down as follows: Wednesday, the 20th – “French Edition(s) and Beat Intellectual Life in Paris” – Thursday, the 21st – “Beat Translation and Collaboration” – Friday the 22nd – “Marginalized Beat Artists”.

Of the specifically Ginsbergian – Thursday-evening (6-7.30) has been given over to a panel on Allen, chaired by Anna Aublet) – (rather unfortunately, it clashes with a panel on William Burroughs (chaired by … Read More

Allen Ginsberg in Austin, 1980

An interesting little bit of footage appeared this past summer on You Tube – Allen Ginsberg in 1980, performing at Austin Community College, Texas (at the College’s Rio Grande Campus downtown).  (We’ve already presented raw archival footage of Allen in Austin – here – but this is very different.) The context?  – “When We Were Live” , a feature-length documentary about the pioneers of Public Access Television in the 80’s and 90’s. The film focuses on five D-I-Y producers from Austin, (the largest and longest running public access station in the nation). Allen performs two pieces, “Punk Rock Read More

Friday’s Weekly Round-Up – 329

Last week we reported on a poor quality tape from Stanford that illegally came out (and was dutifully squashed). This week we report on a high quality recording that was properly disseminated (included, alongside a brief notice, in Le Magazine Litteraire’s announcement of the Ginsberg digitalization).  The tape “Tape 3 Ginsberg 1994” is a raw record of Allen presenting some poems, in a studio setting, for future musical adaptation.  (We’re thinking that this is from the preparation for The Lion For Real album/CD, though we could be wrong, the Stanford date here is 1994, The Lion For Real recordings … Read More