[Allen Ginsberg, San Francisco, 1966. photo: Larry Keenan Jr. ]
Drawing this weekend from the remarkable Stanford archives. We begin with a tape from 1976, Allen and company in conversation with conservative talk-show host Barry Farber, a two-hour radio appearance (We’ll be featuring it in segments – In the first, today, the opening salvos, he has to defend himself against Farber’s avuncular but also barbed and somewhat patronizing knee-jerk anti-Communism)
[Allen Ginsberg’s Desk – Drawing by Allen Ginsberg]
second-part of an in-depth interview with Michael Horowitz, Timothy Leary’s
longtime archivist, recently appeared. The first (posted back in November 2015)
can be seen here.
The second, brings Allen in to the picture (Lisa Rein, the Archives digital librarian, is the interviewer):
LR: What was the dynamic between Ginsberg and Leary?
MH: The synergy between them was powerful. There’s a … Read More
[National Guardsmen wielding rifles with bayonets advanced along Springfield Avenue in Newark on July 14 1967 – Photograph Don Hogan Charles for The New York Times]
AG: “Investigative Poetics, I think, at this point, would have to go into the whole cultural and social and political and artistic history of the “Sixties, (which was quite a vast, traumatic, revolutionary time), and re-investigate a great many things that happened of an intellectual-symbolic nature, to find out what was the story behind it. Because a great deal more of it was manipulated than we realize” and one of the major … Read More
“The film of the year”? – “The film of the year”? – Well, obviously, we had to run this one! – Rebecca Cope, in Harpers Bazaar, on Kill Your Darlings.
Kill Your Darlings “buzz” continues to roll on, full pace. Here’s Timothy M Gray, in Variety: “The chief lure of “Darlings” for mainstream audiences and kudos voters will be word of mouth about (Daniel)Radcliffe’s breakthrough performance [as Allen Ginsberg], though the film has many other assets…Radcliffe said he’s dissimilar to Ginsberg, but added, “We are both
Allen’s Spontaneous and Improvised Poetics Naropa lectures of the summer of 1976 pick up again on August 4th, 1976
AG: I want to continue a little bit more with Wordsworth, because what I did was leave him with disillusionment with the French Revolution. (I left him) with his troubles, his political troubles, which are similar to the troubles that we’ve got [USA, 1976 – sic]. I was looking over “The Prelude” yesterday, where he continues, at great length, about his disillusionment, and I’ll read you just a couple of sentences from that (because it’s not … Read More