Allen and Philip Glass‘s 1990 interview with Studs Terkel (see here and here) concludes with Terkel offering Allen an open platform to “go off” on “anything of his choice”. Allen takes full advantage, listing the dangerous turn to censorship and repression in contemporary America circa 1990 (his “cautionary footnote”, as Terkel describes it, is a snapshot of a moment, but still reads chillingly, and regrettably, continuingly, pertinent in the light of present times.)
ST: Al, I thought we’d go off open-endedly, as they used to say in the … Read More
ST: While the discussion goes on in the background. I was trying to whisper to the audience that I think there’s a seriousness and semi-seriousness, but we’ll see if you can sort of discern the chaff from the wheat.
AG: No, I’ll talk over him (Gregory Corso)., I’ll talk over him.
Now, the end of the poem [“Howl”] – which is where – “I’m with you in Rockland”, (which is a bug-house). I’m saying, “I sympathize, I … Read More
Peter Orlovsky: The Howard Johnson’s..when we were going along the highway, we stopped at the Howard Johnson’s. And they had (have) these little cards, you know – What’s your waitresses number? Did you like the way she served you? What did she serve you? Was it enough? Was it too small? Was it too large? Do you have any comments about Howard Johnson’s? (the inside … Read More
Gregory Corso: Well, you know, like, it’s almost a mental dictatorship, you know, because you can’t get off the highway. To go to another restaurant or something, you have to keep on the turnpike. And so they’re all similar. And it looks like a big bathroom as soon as you go in. And nothing is moving but the Coca-Cola machines and the cocoa machines, just turning, great symbols turning, great undersea silence.