Robert Creeley – 1

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[Allen Ginsberg and Robert Creeley. Photograph by Laure Leber]

continuing with transcription of  Allen Ginsberg’s Basic Poetics class from February 1980 (Feb 27) at the Naropa Institute  

AG: Who’s got the right time?…  So, last time we were.. so..  what you were just doing before was Ted (Berrigan), Ted’s class. How many of you are in Ted’s class? So what happens?, There’s a half an hour wait in between? Is that a heavy shot to go through, two long hour- and-a-half (classes) in the evening. How does that work out? I was wondering. Are we creating.. (putting) too much on, … Read More

Adonais

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[Sketch of the poet John Keats, July  1819,  by Charles Armitage Brown]

AG: Then a similar thing to Shelley was a very great poet at this particular colossal rhyme, the colossal breath, heroic or colossal breath, I guess, is Adonais (do folks know that? Adonais? – how many have read through Adonais? – how many have not? – Adonais – well, that’s a great one. That’s his elegy on the death of poor old John Keats, (it’s on (page) 685, well the verses I want are on 685). That’s really best… You notice it begins on page … Read More

Rose-Cheek’d Laura’s Centrality

[Ezra Pound, Basil Bunting, Louis Zukofsky, Robert Duncan, Robert Creeley, William Carlos Williams and Marianne Moore]

AG: So you’ll find in the twentieth-century,  (Ezra) Pound, (Basil) Bunting, (Louis) ZukofskyRobert Duncan, some of (Robert) Creeley, all derive from this poem or from the practice of this poem. It’s sort of like the secret inner measure of their work, the kind of attempt that Campion is getting into here or the territory he’s getting into. And that was related to the idea of William Carlos Williams of finding a measure that would be an American … Read More