Friday’s Weekly Round Up – 293

Bob Dylan, The Mann Center, Philadelphia, July 13, 2016. via Bill’s Music Blog

So Bob Dylan won’t be heading over to Sweden to pick up his Nobel Prize for Literature on December the 10th. The Swedish Academy said Wednesday that Dylan told them he “wishes he could receive the prize personally, but other commitments made it unfortunately impossible”. He is still, however, required to give a Nobel lecture some time between now and next June.

Rolling Stone announces it here, The Guardian here, here in the New York Times.

More Dylan news – and a must-read – (in … Read More

Friday’s Weekly Round-Up – 286

 

     
Allen Ginsberg and his life-long partner, Peter Orlovsky, New York City, 1977 – Photograph by Gordon Ball

 

The Beat Generation exhibit at the Pompidou Center draws to a close with a number of specially-scheduled events – a colloquium and a series of films. Last chance to catch this extraordinary exhibit in its Parisian manifestation.

Here‘s Joseph Nechvatal‘s review in Hyperallergic

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Peter Orlovsky, Gregory Corso, Allen Ginsberg

et aussi à Paris Next week sees the publication of Shakespeare and Company, Paris: A History of the Rag and Bone Shop of the Heart, edited by … Read More

Studs Terkel Radio Interview – Part 7 (Conclusion)

                                                                [Studs Terkel (1912-2008)]

The Studs Terkel Ginsberg-Corso-Orlovsky interview (courtesy PennSound), that we’ve been serializing this week, concludes here
ST: Let’s get back to the comments you made. Is there any.. can we pin it down?.. people do communicate , you know..
AG: Yes, but I would say “No ideas but in things” , which is what (William Carlos) Williams also says. In other words, No..
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Studs Terkel Radio Interview – Part 6

[Bodhisattva Avalokiteshvara in Water Moon Form (Shuiyue Guanyin) Liao Dynasty (907-1125), 11th Century  (willow with traces of pigment,  woodblock construction), Metropolitan Museum of Art, New York]

Studs Terkel’s 1959 interview with Allen Ginsberg, Gregory Corso and a taciturn Peter Orlovsky (courtesy PennSound) continues
ST: So in other words you believe in compassion ? (or) you’re afraid of that word too?
GC: Compassion is a beautiful word.
AG: I’m in favor of compassion in other people.
GC: That’s compassion for Gregory.
ST: But you feel you are not..  Now are you putting.. Is this a façade?
AG: I … Read More

Studs Terkel 1959 Radio Interview – Part 4

Peter Orlovsky – Photograph by Allen Ginsberg
For earlier segments see here, here and here 
ST: Peter Orlovsky, what were you about to say?
Peter Orlovsky: The Howard Johnson’s..when we were going along the highway, we stopped at the Howard Johnson’s. And they had (have) these little cards, you know – What’s your waitresses number? Did you like the way she served you? What did she serve you? Was it enough? Was it too small? Was it too large? Do you have any comments about Howard Johnson’s? (the inside … Read More

Studs Terkel 1959 Radio Interview – Part 2

Peter Orlovsky, Gregory Corso and Allen Ginsberg, 1959

continuing from yesterday – the Studs Terkel interview

Studs Terkel: : Question, question. Anybody can answer it –  Do you believe you represent the young generation of poets today?

Gregory Corso and Allen Ginsberg & Peter Orlovsky: No, no, no, no, we’re pariahs!
ST: Oh, You’re pariahs?
AG: All we represent is ourselves. We couldn’t represent anybody else. The trouble is everybody’s going around trying to represent somebody else..
GC: Yeah, that’s terrible, that’s scarey.
AG: All I represent is me and all Gregory represents is him and all Peter represents … Read More

Studs Terkel 1959 Radio Interview – Part 1

Studs Terkel with Gregory Corso, Allen Ginsberg and Peter Orlovsky,WFMT radio studio, Chicago, 1959
Studs Terkel: What did you say about Howard Johnson’s?
 
Gregory Corso: Well, you know, like, it’s almost a mental dictatorship, you know, because you can’t get off the highway. To go to another restaurant or something, you have to keep on the turnpike. And so they’re all similar. And it looks like a big bathroom as soon as you go in. And nothing is moving but the Coca-Cola machines and the cocoa machines, just turning, great symbols turning, great undersea silence.

Studs Terkel: 

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