Keats and Shelley – (Keats’ Last Poem)

keatsgrave

[John Keats’ grave at the The Cimitero Acattolico (“Non-Catholic Cemetery”) in Rome, Italy]

 On Keats and Shelley  continued

Student: Have you seen the grave (of John Keats)?

AG: Yeah, sure, many times. I went there with Gregory.. (I) went there alone once and I went there with Gregory (Corso)

Student: I went there and it was closed but there was a little chink in the wall

AG: Yeah, and you can look in..

PO: I don’t think I was there.

AG: I think we went this time with (Fer)nanda (Pivano)

PO: Oh my god!

AG: ..in June, that one … Read More

Adonais

screenshot-2016-12-07-17-39-15

[Sketch of the poet John Keats, July  1819,  by Charles Armitage Brown]

AG: Then a similar thing to Shelley was a very great poet at this particular colossal rhyme, the colossal breath, heroic or colossal breath, I guess, is Adonais (do folks know that? Adonais? – how many have read through Adonais? – how many have not? – Adonais – well, that’s a great one. That’s his elegy on the death of poor old John Keats, (it’s on (page) 685, well the verses I want are on 685). That’s really best… You notice it begins on page … Read More

On Shelley’s “Ode To The West Wind” (Breathing)

winged-seeds

[Percy Bysshe Shelley (1792-1822)]

AG: Another person who.. (we’re getting back to breath now) is Shelley’s “Ode To The West Wind” (in this book on page 669). How many have read Shelley’s “Ode To The West Wind” here? How many have not? How many have not read Shelley’s “Ode To The West Wind”? How many have heard it read aloud ? [show of hands] – Okay . And how many have read it aloud themselves? – Well, it’d be interesting.. Let me try reading it aloud once and then we’ll all read it aloud. It’ll be fun. But the only … Read More

Studs Terkel 1959 Radio Interview – Part 1

Studs Terkel with Gregory Corso, Allen Ginsberg and Peter Orlovsky,WFMT radio studio, Chicago, 1959
Studs Terkel: What did you say about Howard Johnson’s?
 
Gregory Corso: Well, you know, like, it’s almost a mental dictatorship, you know, because you can’t get off the highway. To go to another restaurant or something, you have to keep on the turnpike. And so they’re all similar. And it looks like a big bathroom as soon as you go in. And nothing is moving but the Coca-Cola machines and the cocoa machines, just turning, great symbols turning, great undersea silence.

Studs Terkel: 

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