Patti Smith‘s new book Devotion has just come out (from Yale University Press) to mixed reviews. Here‘s Michael Lindgren’s review in The Washington Post .Here‘s Megan Volpert at Pop Matters. The book is an expanded version (though not so expanded) of her 2016 Winham-Campbell Lecture at Yale (for a section of that lecture – see here)
Grant Hart, drummer, vocalist and songwriter, who died a little over a week ago, on William Burroughs from an interview from back in 2000 for The Onion AV Club:
[Allen Ginsberg reading and lecturing in Olomouc in the Czech Republic, 1993]
Allen’s new book, The Best Minds of My Generation, selections from Allen’s lectures (not to be confused with the lectures transcribed here on the Allen Ginsberg Project), “mercifully reduced to 455 pages, shorn of repetitions, student interventions and Ginsberg’s habit of beginning every sentence with “So” – (sic) – as the reviewer in the London Times would have it) continues to impress one and all.
Here’s an excerpt from Gaby Wood‘s review in London’s Daily Telegraph:
Chögyam Trungpa Rinpoche wrote the Sadhana of Mahamudra in 1968 while staying in the cave of Taksang in Bhutan. The Sadhana of Mahamudra invokes the wrathful manifestation of Padmasambhava, called Dorje Trolö, to help us overcome obstacles and confusion in our time.
Heads-up for next Friday! (Friday April 7) – Ginsberg Green – “A spoken word & musical gathering honoring the life and Green activism of Allen Ginsberg” – a unique celebratory event, organized by our good friend Patrick Warner, scheduled to take place at The Sprinkler Factory in Worcester, Mass, starting approximately 6 o’clock.
Patti Smith turns 70 today. She’ll be performing tonight, in Chicago, at the Riviera Theatre, with her band, part of an on-going tour celebrating the release of her groundbreaking 1975 debut album, Horses
What a year it’s been for Patti! (always quite a year for Patti! – poet as rock-star, poet as performer, poet as activist)
Jim Carroll‘s June 30, 1986 Naropa Poetics and Music Workshop contimues – see previous segments – here. here, here and here
JC: Then, you know, the danger of course being, you didn’t want to fall into that kind of stream-of-consciousness type of scene because, I mean, that falls into a certain lassitude too easily also. So you have to use a song structure, I think. You can’t just put a