April 13, on this day, thirty-five years ago, in Boulder, “in preparation for this summer’s Great ON THE ROAD festival” (the twenty-five year celebration of Kerouac’s great enduring masterpiece) – “One and only time! Never before done and probably never after! An historic occasion!” – (Allen beats the drums!) – “The Beat Generation – A Literary History (1953-1957)”, an eight-week course taught by Ginsberg, featuring himself, (Gregory) Corso, (William) Burroughs, … Read More
Memorable is Letterman’s shocking confession that he hadn’t actually read On The Road ! Also, we vividly recall Allen taking up sixty valuable seconds of network time, with a discomforting (for Letterman and for NBC) on-air meditation (Letterman getting increasingly antsy) – it seems that segment is missing from this version. Perhaps someone … Read More
Inveterate world-traveler, she’s currently in Mexico City at the moment (at Casa del Lago, the off-campus Cultural Center of the National Autonomous University of Mexico, for the 2017 Poesia En Voz Alta)
The Best Minds of My Generation– Very pleased to announce a new Allen Ginsberg publication (due out in April) from Grove Press – “A Literary History of the Beats” – (“A unique and compelling history of the Beats, in the words of the movements most central member, Allen Ginsberg, based on a seminal series of his lectures”), edited, (as judiciously and informatively as ever), by Beat scholar, and our good friend, Bill Morgan
AG: So the next one that he (Thomas Campion) has is “Follow Thy.. Sun Unhappy Shadow” (Norton (anthology) page 225, it’s the page before, in the Norton, it begins at the bottom of page 225 ) – Do you know what it… does anyone know how to sing that? if you’ve got the music? – Does anybody know that one? – [to Student] Have you worked on that at all?
Student: I.. I.. I could kind of do it.
AG: Yeah, well let’s have..
Student: Do it, first?
AG: Want to do this first? … Read More
“In this posthumous collection, avant-garde poet Anselm Hollo displays his spare, sly lyrical greatness. The poems are fragmentary, with echoes of William Carlos Williams, finding pathways between the ancient Greece and Wild Bill Hickock – both the American and the European alive in him at all times. This is Hollo at his witty, inventive best.”
Minor matters today. More one-on-one post-class discussion. Allen makes arrangements.
AG: [to Student] – What have you got? some poems?
Student: Some homework, from last week – Lyke Wake Dirge.
AG: Oh great – good – Shall I take it home?
Student: There’s a journal and a transcription.
AG: Oh yes, shall we make a date?
Student: Sure….. Mondays and Fridays are (the) best (days)…
AG: Mondays and Fridays?
Student: Mondays are good..
AG: Well, tomorrow I’ve got a reading. (But) At weekends, I’m free, certainly…
Student: Weekends are fine.