AG: So in order to strike a “second heat/ upon the Muse’s anvil”, using Robert Herrick as a model, I want now to enter onto the whole subject, not of length of syllables in a line, but the count of syllables in the line (because that’s something we haven’t really gone over, except, I think I’ve refered to it with Marianne Moore). And (Robert) Herrick is real interesting on that, and real simple. Once you pick up the hang of what he’s doing, you realize that that’s another way of getting your lines to have … Read More
Weiss recounts the circumstances and the details of his interviews (conducted earlier this year) with Lawrence Ferlinghetti,Michael McClure, Diane di Prima, the novelist Herb Gold (“Gold would be the first to tell you that’s he’s not a Beat, but his legacy and historical context remain inextricable from his more well-branded peers”), and, in conclusion, … Read More
[Allen Ginsberg at his 1973 Glasgow Press Conference]
We featured here last week, Allen’s interview in 1973 in Scottish International. Featured today is a companion piece from The Glasgow Review (drawing from the same press conference). The piece was initially titled “Of Burns and Watergate” (referring to the two main topics).
Interviewer; What do you think of the present state of the Watergate affair?
AG: Well what the underground both in America and England have been saying for a long time now has become accepted currency in the minds of the above-ground, middle-class media. The specific conceptions that are … Read More
“It’s impossible to overestimate Ginsberg’s influence on American culture; likewise, these recordings are nothing less than an integral, inseparable part of his oeuvre. It’s obvious that while Ginsberg took great delight in making these recordings, he also took them very seriously; his intent is … Read More
I won’t go over it, except a couple of phrases in here – (page 260) [sic] -It’s a real good poem. It’s an interesting poem, and it’s well-written, and it’s very.. it’s full of energy, at a certain point – “I therefore will begin. Soul of the age!/ The applause, delight, the wonder of our stage!” – (he really gets with it)
AG: Strophe (is that pronounced strophee or strophe?)
Student: Strophee, I think
AG: Strophee – or Strophee/Antistrophee maybe – and Epode. So the anti-strophe or antistrophe would be simply a mirror image of it, perhaps responding, responding to the first statement, and then the epode would be a variation on the form, (not necessarily the same but making use of the similar kinds of lines). And it’s good for certain kinds of formal poems, or occasional poems, or political poems. Like, I wrote Plutonian Ode (but I wasn’t paying attention to the … Read More
Today is the official release day for The Complete Songs Of Innocence And Experience, Allen’s Blake settings, re-released on CD and Digital by Omnivore Recordings, for the first time, (plus a second disc of rarities and previously unissued songs). For earlier announcements on the Allen Ginsberg Project – see here and here.
Speaking of William Blake, hats off to antiquarian bookseller, John Windle (“Windle’s connection to Blake is more spiritual than commercial”). Allen would, more than once, call Windle, Windle remembers, if he “needed a Blake fix”.
AG: And (Thomas) Carew has one of the prettiest cadences of repeated.. it’s like a.. it’s a very beautiful cadence, for the first line of page three-oh-one – A song – It’s (the cadence) – da da-da da da da-da da – da da-da da da da-da da – Da da-da da da – da-da da. It’s just really nice, that. “Ask me no more where Jove bestows,/When June is past, the fading rose;/For in your beauty’s orient deep/These flowers, as in their causes, sleep/ .Ask me no more whither do stray/The golden atoms of the day;/For … Read More