AG: I used a lot.. I used a method..I used that in a lot of early poems that I was doing, imitating (William Carlos) Williams, just little free-verse poems, but I would rearrange them from prose, and arranged them into balanced little five-syllable, three-syllable, five-syllable, three-syllable, whatever – ” I learned a world from each/ one whom I loved/ so many/ worlds /without /a Zodiac” – [from his poem “The Night Apple”] – six-four, six-four. I mean, I had written it down in prose on the paper, in … Read More
For all you sticklers for detail out there, Sunday July 17, Allen’s appearance with Sopwith Camel, was in 1966. The following year (1967) found him in London, speaking at Steven Abrams‘ “Legalize Pot Rally”.Barry Miles was inevitably there. There weren’t too many classic moments of the “Sixties when Miles wasn’t present! Miles’ 2002 memoir, “In The Sixties” just got re-issued in a profuse illustrated edition – see here.
Anniversaries. We love anniversaries. July 12, 1995. The above group-reading at Naropa, twenty-two years on. The above six were joined by Steven Taylor (on several pieces, as accompanist) and Andrew Schelling and Max Regan giving introductions). The tape begins in media res with Allen reading from his “visionary dream” of the past January (January 14. 1995) , followed by “Newt Gingrich Declares War On “McGovernik Counterculture” , “The Ballad of the Skeletons” (“Skeleton Keys”), and “New Stanzas For Amazing Grace”
Allen Ginsberg: “(Poetry America was born before us & will live after us — and would’ve been visible … Read More
“I sing of brooks, of blossoms, birds, and bowers,/ Of April, May, of June, and July flowers. /I sing of May-poles, hock-carts, wassails, wakes..” – (you know “hock carts” that brought in the last corn of the harvest, … Read More
AG: So in order to strike a “second heat/ upon the Muse’s anvil”, using Robert Herrick as a model, I want now to enter onto the whole subject, not of length of syllables in a line, but the count of syllables in the line (because that’s something we haven’t really gone over, except, I think I’ve refered to it with Marianne Moore). And (Robert) Herrick is real interesting on that, and real simple. Once you pick up the hang of what he’s doing, you realize that that’s another way of getting your lines to have … Read More
Weiss recounts the circumstances and the details of his interviews (conducted earlier this year) with Lawrence Ferlinghetti,Michael McClure, Diane di Prima, the novelist Herb Gold (“Gold would be the first to tell you that’s he’s not a Beat, but his legacy and historical context remain inextricable from his more well-branded peers”), and, in conclusion, … Read More
[Allen Ginsberg at his 1973 Glasgow Press Conference]
We featured here last week, Allen’s interview in 1973 in Scottish International. Featured today is a companion piece from The Glasgow Review (drawing from the same press conference). The piece was initially titled “Of Burns and Watergate” (referring to the two main topics).
Interviewer; What do you think of the present state of the Watergate affair?
AG: Well what the underground both in America and England have been saying for a long time now has become accepted currency in the minds of the above-ground, middle-class media. The specific conceptions that are … Read More
“It’s impossible to overestimate Ginsberg’s influence on American culture; likewise, these recordings are nothing less than an integral, inseparable part of his oeuvre. It’s obvious that while Ginsberg took great delight in making these recordings, he also took them very seriously; his intent is … Read More
I won’t go over it, except a couple of phrases in here – (page 260) [sic] -It’s a real good poem. It’s an interesting poem, and it’s well-written, and it’s very.. it’s full of energy, at a certain point – “I therefore will begin. Soul of the age!/ The applause, delight, the wonder of our stage!” – (he really gets with it)