Campion’s Rose-Cheek’d Laura – 1

AG: Let’s see what else there is? The really great one for that I always thought was.. on (page) two-two-seven..Rose-cheek’d Laura – two-two-seven      Student; All the other books spell Laura with a “w” and not a “u” AG: L-A-W-R-A? – Yeah, “Lawra” ..because that makes the vowel longer – “Lawra” –  What I… [to Student]  Do you know the music to that one? Student: It’s not in there. AG: It’s not in there. But, anyway.. Dig the way it goes . “Rose-cheek’d Laura, come”. It’s not  “Rose-cheek’d Laura come” – “Rose-cheek’d Laura, come” – Rose-cheek’d – breath – Laura, … Read More

Bunting & Campion – Follow Thy Sun..

AG: …But anyway, getting back to (Thomas) Campion (and) (Basil) Bunting‘s vocalization of “Follow Thy Sun…. ”  – What page is that (in the (Norton) anthology)? Two-twenty-five again?

[Allen, turning on and off the tape of the Bunting’s lecture recording, searches on the tape-recorder] – “Well, let’s see what he says about it – He was using records too – It’ll be clear in a minute..”

[At approximately thirty-two-and a quarter minutes in (and concluding at approximately thirty-four-and-a-quarter minutes in), Allen plays a recording of Bunting reading Campion’s  “Follow Thy Sun…” – “Follow thy fair sun, unhappy shadow/Tough … Read More

Campion – “Follow Thy Fair Sun…”

Thomas Campion (1567-1620)

AG: So the next one that he (Thomas Campion) has is  “Follow Thy.. Sun Unhappy Shadow” (Norton (anthology) page 225, it’s the page before, in the Norton, it begins at the bottom of page 225 ) – Do you know what it… does anyone know how to sing that? if you’ve got the music? – Does anybody know that one? – [to Student] Have you worked on that at all? Student: I.. I.. I could kind of do it. AG: Yeah, well let’s have.. Student: Do it, first? AG:  Want to do this first? … Read More

Basil Bunting Reads Campion – 2

Basil Bunting can be heard again on tape, reading from Campion.

WHEN thou must home to shades of underground, And there arrived, a new admirèd guest, The beauteous spirits do engirt thee round, White Iope, blithe Helen, and the rest, To hear the stories of thy finish’d love          From that smooth tongue whose music hell can move; Then wilt thou speak of banqueting delights, Of masques and revels which sweet youth did make, Of tourneys and great challenges of knights, And all these triumphs for thy beauty’s sake:          When thou hast told these… Read More

Basil Bunting continued – (Bunting reads Campion)

Basil Bunting (1900-1985)
Thomas Campion (1567-1620)

A fresh tape Basil Bunting  in media res reading Thomas Campion‘s “Hark, all you ladies that do sleep!”     

HARK, all you ladies that do sleep!   The fairy-queen Proserpina Bids you awake and pity them that weep   You may do in the dark     What the day doth forbid;            Fear not the dogs that bark,     Night will have all hid. But if you let your lovers moan,   The fairy-queen Proserpina Will send abroad her fairies every one,            That shall pinch black and blue     Your white hands and fair arms   That did not kindly… Read More

Jim Carroll Workshop Q & A – 9 ( Lou Reed) – (Conclusion)

 
We’ve been running these past week’s transcription of Jim Carroll’s 1986 Naropa workshop  (see most recently here and here) . We continue today and conclude with the second part of the Q & A
 
Student: Another question here
Jim Carroll:  Yeah, Oh, great
Student: Do you still worry about a regular rhyme-scheme?
Anne Waldman:  Louder!
JC: He just asked me how much I worry about a regular rhyme-scheme – I do think about rhymes because.. whereas I don’t in poems. I think I use.. In Living At The Movies, I, like,
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Jim Carroll Workshop – 8 – Q & A (Power Chords)

Allen Ginsberg and Jim Carroll from The Love Book by Rob Rosenheck]]
Continuing with Jim Carroll’s June 30 1986 Naropa Poetics and Music class, we now turn to the Q & A:
Jim Carroll: I should say, like.. I mean.. just… does anybody, like, have any questions about, anything?  (But), like, I’m thinking about the nature of.. I obviously ask about.. the nature of the difference between lyrics and poems, generally, but.. you know, that’s not important to.. (go further into) (We can) talk about that next time. What? Allen?  [Allen puts up his hand to ask a
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Jim Carroll Workshop – 7 (American Express and Shape Shifter)

Jim Carroll’s songwriting workshop continues
See herehereherehere  here, and here
JC: It [“Sherlock Holmes] – has a real long fade I don’t want to subject you to it, you know…. But this one is a regular…this is not the same song now  – obviously, but this is called… no.. wait a minute.. this is called…”Shake”? – no, this is called “American Express“.
This is a better mix, it’s an engineer mix, and I think
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Friday’s Weekly Round-Up – 283

 

Edson cemetry, Lowell, Mass. The exact location. Bob Dylan and Allen visiting Jack Kerouac’s grave. We’ve featured Bob Egan‘s conceptual recreations – Popspots – before –  here.  Here’s his re-staging of two of Ken Regan’s iconic photos.

Here’s another of his Popspots ( “Pot Is A Reality Kick” – Benedict J Fernandez‘s much-circulated image of Allen at the LEMAR (Committee To Legalize Marijuana) protest, Christopher Street at 6th Avenue, New York City, January, 1965

 

Oscar Wilde !854-1900

Patti Smith reading Oscar Wilde in Reading Gaol ? Reading Gaol (HM Prison, Reading) … Read More

Charlie Parker’s Birthday

Charlie Parker‘s birthday today. We salute, as before, on The Allen Ginsberg Project, “the creator of the cool sound, the most modern of all horn men…”

Bird-fanciers (ornithologists) have plenty to be grateful for this year with the release this past month of Unheard Bird – The Unissued Takes, a new double-CD, featuring 58 previously-unreleased recordings made between 1949 and 1952 for Norman Granz, foumder of Verve Records, showcasing Parker in a variety of settings – in a Latin-jazz orchestra (spotlighting Afro-Cuban rhythms), leading  all-star quartets, quintets, and septets, (and we do mean all-star!), solo-ing over … Read More