AG: Let’s see what else there is? The really great one for that I always thought was.. on (page) two-two-seven..Rose-cheek’d Laura – two-two-seven
Student; All the other books spell Laura with a “w” and not a “u”
AG: L-A-W-R-A? – Yeah, “Lawra” ..because that makes the vowel longer – “Lawra” – What I… [to Student] Do you know the music to that one?
Student: It’s not in there.
AG: It’s not in there. But, anyway.. Dig the way it goes . “Rose-cheek’d Laura, come”. It’s not “Rose-cheek’d Laura come” – “Rose-cheek’d Laura, come” – Rose-cheek’d – breath – Laura, … Read More
[Allen, turning on and off the tape of the Bunting’s lecture recording, searches on the tape-recorder] – “Well, let’s see what he says about it – He was using records too – It’ll be clear in a minute..”
[At approximately thirty-two-and a quarter minutes in (and concluding at approximately thirty-four-and-a-quarter minutes in), Allen plays a recording of Bunting reading Campion’s “Follow Thy Sun…” – “Follow thy fair sun, unhappy shadow/Tough … Read More
AG: So the next one that he (Thomas Campion) has is “Follow Thy.. Sun Unhappy Shadow” (Norton (anthology) page 225, it’s the page before, in the Norton, it begins at the bottom of page 225 ) – Do you know what it… does anyone know how to sing that? if you’ve got the music? – Does anybody know that one? – [to Student] Have you worked on that at all?
Student: I.. I.. I could kind of do it.
AG: Yeah, well let’s have..
Student: Do it, first?
AG: Want to do this first? … Read More
WHEN thou must home to shades of underground,
And there arrived, a new admirèd guest,
The beauteous spirits do engirt thee round,
White Iope, blithe Helen, and the rest,
To hear the stories of thy finish’d love
From that smooth tongue whose music hell can move;
Then wilt thou speak of banqueting delights,
Of masques and revels which sweet youth did make,
Of tourneys and great challenges of knights,
And all these triumphs for thy beauty’s sake:
When thou hast told these… Read More
HARK, all you ladies that do sleep!
The fairy-queen Proserpina
Bids you awake and pity them that weep
You may do in the dark
What the day doth forbid;
Fear not the dogs that bark,
Night will have all hid.
But if you let your lovers moan,
The fairy-queen Proserpina
Will send abroad her fairies every one,
That shall pinch black and blue
Your white hands and fair arms
That did not kindly… Read More
Jim Carroll: I should say, like.. I mean.. just… does anybody, like, have any questions about, anything? (But), like, I’m thinking about the nature of.. I obviously ask about.. the nature of the difference between lyrics and poems, generally, but.. you know, that’s not important to.. (go further into) (We can) talk about that next time. What? Allen? [Allen puts up his hand to ask a
JC: It [“Sherlock Holmes“] – has a real long fade I don’t want to subject you to it, you know…. But this one is a regular…this is not the same song now – obviously, but this is called… no.. wait a minute.. this is called…”Shake”? – no, this is called “American Express“.
This is a better mix, it’s an engineer mix, and I think
Here’s another of his Popspots ( “Pot Is A Reality Kick” – Benedict J Fernandez‘s much-circulated image of Allen at the LEMAR (Committee To Legalize Marijuana) protest, Christopher Street at 6th Avenue, New York City, January, 1965
Charlie Parker‘s birthday today. We salute, as before, on The Allen Ginsberg Project, “the creator of the cool sound, the most modern of all horn men…”
Bird-fanciers (ornithologists) have plenty to be grateful for this year with the release this past month of Unheard Bird – The Unissued Takes, a new double-CD, featuring 58 previously-unreleased recordings made between 1949 and 1952 for Norman Granz, foumder of Verve Records, showcasing Parker in a variety of settings – in a Latin-jazz orchestra (spotlighting Afro-Cuban rhythms), leading all-star quartets, quintets, and septets, (and we do mean all-star!), solo-ing over … Read More