More on Metrics – 2

[Allen Ginsberg, San Francisco, 1956 – Photograph by Harry Redl]

Allen Ginsberg continues, lecturing his Naropa students on metrics

AG: “Moloch who’s eyes….. da da-da da, da-da da da , da-da da ,da-da da-da da, da-da.. And if you have a gang of choruses going bop-pa-pa-bom, bop-pa-pa-bom, you’ve got something very powerful going on And so, in.. without knowing it, just intuitively, I was using choriambic and variations of choriambic meters, in the Moloch section of “Howl” – “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – (da-da da da-da da da-da da da-da) – “thousand-blind-windows”, “thousand-blind-wind..” “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – So it’s a combination of choriambic … Read More

More on Metrics

[Allen Ginsberg’s classroom hand-out – “A Synopsis of Metrical Systems”]
continuing from here
MORE ON METRICS
Allen’s pedagogical insistence on quantative prosody, on the minutae of classical prosody, was something he came back to again and again with his students at Naropa  (see, for example  – one of many examples – here). In transcription, it makes, perhaps, for some somewhat tedious transcript – to hear the subtle and various distinctions he’s making, it really becomes necessary to listen closely to the audio (happily, here available). Allen does employ here a somewhat unique teaching method to lighten things up – … Read More

David Amram Remembers Jack Kerouac

[David Amram and Allen Ginsberg with Jack Kerouac and Larry Rivers at a diner –  during the making of Pull My Daisy, 1959 – Photograph by John Cohen]

Continuing our celebration of his 87th birthday

David Amram Remembers Jack Kerouac

This initial piece was originally written in 1969 for Evergreen Review, and published early in 1970 at the request of publisher Barney Rosset as an obituary for Kerouac

I used  to see Jack often at the old Five Spot in the beginning of 1957, when I was working there. I knew he was a writer, and all musicians knew … Read More

David Amram’s Birthday

[David Amram performing “Waltz After the Fall” via jackshalom]

David Amram celebrates his 87th birthday today

Recipient of the 2017 Lifetime Achievement Award from Kansas City’s Folk Alliance International.

Written and narrated by Scott Alarik, here‘s the video made specially for that occasion

and here‘s Nick Foster of Boulder, Colorado’s eTown interviewing David (from a couple of years back)

Here’s another interview  (from March of last year)

Here’s David from back in 2011, performing and talking about Kerouac

Offbeat -Collaborating With Kerouac, his memoir, was first published in 2002

His earlier memoir, Vibrations  The Read More

Edmund Waller’s “Song” – 3

 AG: So it’s interesting to figure this [Edmund Waller’s “Song” – “Go, lovely rose”] out as sound. Now this is one of the most compelling cadences and compelling rhythms, compelling rhythms  and cadences and musics in all of English poetic lyrics…lyric. And yet, it’s one of the most mysterious as far as the count. I guess you could count .. syllables probably – “Go, lovely rose” has four, “Tell her that’s young”, “Small is the worth”, “Then die—that she” – (apparently, all the first lines are four syllables) – “Tell her that wastes her time and me” – (Tell-her-that-wastes-her-time-and-me –
Read More

Edmund Waller’s “Song” -2

 
“Go, lovely rose” continuing from yesterday
 
AG: So what have we got?  The main thing, I guess, is ..to see if the effect.. the fact that it’s a song, and so the breath is real slow (actually, probably a slow-ish song to begin with – I would guess something like  “Go lovely rose”  (Allen attempts singing) or something like that – but “Da da-da” ..what is it? “Go, lovely rose”  – Go, love-ly rose” “Go lovely rose” Go lovely rose” (Allen tries different melodies) …whatever..  There probably was music for this. “Tell her that wastes her time and me,” –
Read More

Edmund Waller’s “Song” – 1

 
 
Go, lovely rose!
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
 
Tell her that’s young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
 
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
 
Then die—that she
The common fate of all things rare
May read in thee;
How
Read More

Allen Ginsberg 1985 “New England Today” Interview

Continuing with our on-going feature of videos from the recently-digitalized Stanford Archives – today a tv appearance from 1985, on “New England Today” (on the occasion of the publication of Collected Poems 1947-1980)  

Interviewer: My guest right now is Allen Ginsberg and he has written a number of poems and this is a big book if you like poetry, a big book of Collected Poems from 1947 to 1980, and, actually, this is your whole life in these poems, isn’t it Allen?

AG: Yes, everything I’ve written in poetry for thirty-three years, with profuse illustrations, numerous notes at the … Read More

Friday’s Weekly Round-Up – 339

[Allen Ginsberg, photographed by  Kiyohide Hori]

Never did get around to mentioning Kiyohide Hori’s photo-show of Allen and of the Howl manuscript that took place (sadly now it’s down) in Japan this past summer

More Japanese news… “the Allen Ginsberg-inspired capsule”? – Some fervid debate in the “Comments” section here – “This is everything Allen Ginsberg stood against. These guys obviously know nothing about Allen Ginsberg or what he was all about. The poor guy must be turning in his grave” – (which elicits the response: “Please enlighten us. He was against materialism, which could be related … Read More

Allen Ginsberg and Tom Schwartz on John Milton – 4

Allen Ginsberg and Tom Schwartz 1980 Naropa class on John Milton continuing from here

TS: Let’s see …”But oh the heavy change, now thou art gone -/Now thou art gone and never must return!” }  –   If you can find those lines..  I’m not sure if it’s that…

AG: In Lycidas?

TS; In “Lycidas”.  This passage may be choral or chanted.as a Greek chorus, there’s no specific indication that it is solo, and there’s,,

AG: Okay, that’s line thirty..  that’s page three oh seven, line thirty-seven –  “But oh the heavy change, now thou art gone -/Now … Read More