Friday’s Weekly Round-Up – 316

[Allen Ginsberg with Jon Sholle at the recording for Allen Ginsberg/William Blake – The Songs of Innocence and Experience]

Excited to have received early advance copies  of  Pat Thomas‘ remarkable follow-up to the The Last Word on First Blues  CD-set, (release-date isn’t until June 23) – the  two-CD re-packaging of the Blake songs – The Complete Songs of Innocence and Experience.

For a previous announcement on that important and highly-anticipated project – see here

Did we mention, May 8th, Gary Snyder‘s recent 87th birthday – this?  (an extensive and illuminating interview in Lion’s Roar ) –  … Read More

Allen Ginsberg & The Klezmatics, Berlin, 1993

Another rare video treasure. We’ve mentioned it before – but thought we would spotlight once again this weekend Allen Ginsberg’s 1993 Berlin concert collaboration with legendary New York klezmer band, The Klezmatics

The Klezmatics accompany Allen on five songs:

Everybody Sing” –  (“Everybody’s just a little bit homosexual whether they like it or not.,”) –    “Fifth Internationale” – (“Arise ye prisoners of your mind-set”) – Sickness Blues – (” I got the sickness blues, I must’ve done something wrong..”) – CIA Dope Calypso –  (“Now Richard Secord and Oliver North….”)  and  “Research” –  (“Research has … Read More

George Herbert – 3

[George Herbert stained-glass window, in the village church of Bishop Burton, East Riding, Yorkshire, designed by Charles Eamer Kempe (1837-1907)]

AG: (George Herbert’s) “The Windows” has got one funny line in it – (page) two eighty-eight – the second line – “Lord, how can man preach thy eternal word?/ He is a brittle crazy glass” – that’s a nice one – “He is a brittle crazy glass” – “crazy” here is here defined as “flawed”, they say – “ Man is a brittle crazy glass” – Just an interesting little snippet I thought.

“Lord, how can … Read More

Friday’s Weekly Round-Up – 313

[Allen Ginsberg reading and lecturing in Olomouc in the Czech Republic, 1993]

Allen’s new book, The Best Minds of My Generation, selections from Allen’s lectures (not to be confused with the lectures transcribed here on the Allen Ginsberg Project), “mercifully reduced to 455 pages, shorn of repetitions, student interventions and Ginsberg’s habit of beginning every sentence with “So” – (sic) – as the reviewer in the London Times would have it) continues to impress one and all.

Here’s an excerpt from Gaby Wood‘s review in London’s Daily Telegraph:

“Lovingly edited from recordings by Bill Morgan, who has … Read More

Cherry Blues

[Samuel Palmer – In A Shoreham Garden]

Cherry Blossom Season but we’re pretty certain that that colorful moment isn’t quite the kind of “cherry” that Allen’s talking about here.  (Plus, that  “Heart Failure” – ( “noisy Cherry got Heart Failure Blues”)  –  Old Age and Youth lying down together  (“Heart Failure & Cherry, Cherry in my bed”).  It’s one of the more obscure items from Allen’s  voluminous catalog, but, hey, why not.

CHERRY BLUES

Cherry in Boulder, Cherry in San Francisco too/Cherry Boulder. old Cherry San Francisco too/But Cherry Boulder trembles more than Seattle do.

Cherry in Seattle, Cherry … Read More

Granelli & Sompa and basic rhythms

[Photo: Jazz drummer, percussionist, Jerry Granelli]

Student: (Rhythm.. rhythms)

AG: But – wait a minute – but, if you did a little bit of work with Titos Sompa [Congolese-Californian teaching at Naropa] and [jazz-drummer] Jerry Granelli in analyzing, not analyzing, just learning, the basic Afric rhythms that they use ( you’ve heard them play, haven’t you?)

Student: (Sure).

AG: Have you heard Titos Sompa? – What are their names, Titos and..?

Student: Bemba..

AG: Bemba..  They are teaching basic African rhythms, (which are not very different from this kind of five.. five-beat rhythms – in fact, what they are … Read More

More on Meters

AG: So there’s tone and pitch and then there’s the long and short vowel, and then there’s a light and heavy accent. So there’s…  Actually, Greek meters did consist in there.. that’s something interesting, these guys, particularly (Ben) Jonson, knew Greek, Greek meters consisted, as modern classicists classify them, (modern classicists classify them, Greek professors classify them), as – stress, accent and quantity (and that’s a little confusing, what’s stress and what’s accent?) – But, usually.. the terminology which is used nowadays, which has been useful for Greek… terminology used for analyzing Greek poetics (which would be useful to … Read More

Friday’s Weekly Round-Up – 312

Great news! – Omnivore Recordings, and Pat Thomas, (who gave us last year the extraordinary The Last Word on First Blues), are issuing, as a two-CD package, Allen Ginsberg’s The Complete Songs Of Innocence And Experience,  is both a reissue of Allen’s original Blake release from 1969 on MGM, with the unreleased 1971 recording sessions that were to be Blake Volume 2.  The release will include, along with the two CDs, a booklet featuring several unseen photos, alongside revealing new interviews, conducted by Thomas himself, with the original session musicians. Release-date is June 23.  For more … Read More

More Ben Jonson (“Queen and Huntress”)

[Artemis with a hind, better known as “Diana of Versailles”. Marble, Roman artwork, Imperial Era (1st-2nd centuries CE). Found in Italy]

AG: Okay, well, the next.. next poem,  (Ben Jonson’s) “Queen and Huntress” is total silver horns, really, a meter that’s… this is, I guess, just.. this is the same rhythm as (William) Blake’s “Tyger, Tyger, basically, this is the trochaic meter (that I was pointing out here – [Allen again points to the blackboard ] – “Tyger/Tyger”, or, “Queen And/Hunt-ress”)  – Well, “Queen, and huntress, /chaste and fair” – Got that? – bomb-a bomb-a bomb-a ba –  … Read More

More on the Dochmiac

 

[Marble Mask – Ancient Greek –  (c. 1st Century BC) – from the Archaeological Museum of Athens]

Allen Ginsberg on metrics continues

Student; What’s it called?

AG: Dochmiac, the dochmiac or dochmiac meter – D-O-C-H-M-I-A-C. However, when you reverse it like this [Allen shows on the blackboard] – where the two long feet or two (stresses) come first –ba-boom-boom ba-boom-boom – you get the hypo-dochmaic . Now this is a dochmaic or dochmaic meter (in) that form, and the one that we’re using (which you’ll come to again, so you might as well find out what this is … Read More