More on Metrics – 4

AG:  Well, so we have “Go lovely..” and I was thinking – “Tell her that wastes her time and me” – “Tell her that wastes” (da da da da)  – “her time and me” – “Tell her that wastes her time and me”  – seems to be two halves, equally cadenced –  “Tell her that wastes her time and me” – and that would be da da da-da – That’s the epitritus tertius – “Tell her that wastes her time and me.”   If you were going to emphasize the more… not so much.. if you were going to be dwelling
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More on Metrics – 2

[Allen Ginsberg, San Francisco, 1956 – Photograph by Harry Redl]

Allen Ginsberg continues, lecturing his Naropa students on metrics

AG: “Moloch who’s eyes….. da da-da da, da-da da da , da-da da ,da-da da-da da, da-da.. And if you have a gang of choruses going bop-pa-pa-bom, bop-pa-pa-bom, you’ve got something very powerful going on And so, in.. without knowing it, just intuitively, I was using choriambic and variations of choriambic meters, in the Moloch section of “Howl” – “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – (da-da da da-da da da-da da da-da) – “thousand-blind-windows”, “thousand-blind-wind..” “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – So it’s a combination of choriambic … Read More

Friday’s Weekly Round-Up – 329

Last week we reported on a poor quality tape from Stanford that illegally came out (and was dutifully squashed). This week we report on a high quality recording that was properly disseminated (included, alongside a brief notice, in Le Magazine Litteraire’s announcement of the Ginsberg digitalization).  The tape “Tape 3 Ginsberg 1994” is a raw record of Allen presenting some poems, in a studio setting, for future musical adaptation.  (We’re thinking that this is from the preparation for The Lion For Real album/CD, though we could be wrong, the Stanford date here is 1994, The Lion For Real recordings … Read More