More on Metrics – 3

AG: Well, it’s not that that you need to be able to understand it [Greek prosody] to write a poem. It’s not perverting your speech to get those rhythms. Rather, it is that speech does have those rhythms, and that you can follow the cadences with those rhythms, that when we were taught in drama-school and high-school primary rhythms, it was very rare that anything was taught beyond the four variants of iamb, trochee, anapest and dactyl.  – that seemed to be the range of  the English ear, or awareness of rhythm, or American high-school awareness of rhythm, … Read More

1967- Ginsberg-Corso-Berryman at Spoleto

The recordings of Allen Ginsberg and Gregory Corso (and of an unlikely third-party, John Berryman, at the 1967 Festival of Two Worlds (“Festival dei Due Mondi”) at Spoleto in Italy, organized by Gian Carlo Menotti is the focus of this weekend’s post

[Allen Ginsberg, Spoleto, 1967]

Allen’s reading (which was also subsequently featured in the recording Ginsberg’s Thing (1969)), was the subject at the time of some controversy.   As his biographer Bill Morgan explains:

“The police in Spoleto seemed to be waiting for him and they picked up copies of the Italian translation of his poem “Who Be Kind Read More