Wieners/Duncan – 2 – Wieners

[John Wieners (1934-2002)]

Richard O Moore’s WNET’s USA Poetry transcript continues. Today – John Wieners

For a period during the 1950’s, Robert Duncan, along with the poets Charles Olson and Robert Creeley taught at Black Mountain College in North Carolina (In) 1954 John Wieners, the founder and editor of the magazine Measure was a student of Robert Duncan’s at Black Mountain. Weiners work deeply reflects that exploration which is so common to the work of Duncan, Creeley and others, the very personal inward exploration of the mind and body of love.

John Wieners reads from his ”Address of … Read More

Wieners/Duncan -1 – Duncan

This weekend marks the birth dates of two important figures in American poetry – John Wieners (born January 6) and Robert Duncan (born January 7). The two were featured together in 1968 in Robert O Moore’s groundbreaking WNET Poetry USA series.

Here is the video and a transcript of this particular episode (arguably, in the”wrong” order – Robert Duncan today, John Wieners will follow tomorrow)

“This program is dedicate to the work of Robert Duncan and John Wieners

This is the poet Robert Duncan born 1919, Oakland, California. Of his work, Duncan has written, “I make poetry as other men … Read More

Friday’s Weekly Round-Up – 337

[Herbert Huncke and Louis Cartwright, at Indian restaurant banquet for Hanuman Press, November, 1989 Photograph by Allen Ginsberg, (c) The Estate of Allen Ginsberg]

This coming Wednesday, next Wednesday, October 18th, at The Beat Museum,  “Huncke and Louis” – A Film Screening with Laki Vazakas, a rare chance to see Vazakas’ tender and intimate documentary on the legendary Herbert Huncke  and his longtime friend and companion Louis Cartwright.  Tate Swindell will be on hand, joining Laki in a discussion of the film, after the event, and meditating on Huncke’s remarkable life and work.

Kerouac Celebrations last weekend in LowellRead More

Friday’s Weekly Round-Up – 298

pompidou

The 2016 Pompidou Center Beat Generation show (currently up, in a revised version at ZKM in Karlsruhe, Germany) made it as number three in the art-site Hyperallergic‘s years-end list of the  “top 15 exhibitions around the world” . The artist-critic Joseph Nechvatal writes:  “The entire airy layout of the Centre Pompidou’s retrospective of the Beat Generation was flawless, delicately and luxuriously balancing the dim lighting requirements needed to show the mix of texts,paintings, photography, collages, ephemera, historical documents, magazines, book publications, jazz music, spoken-word recordings, and fantastic underground films. Its content was a hard rejection of American right-wing … Read More

Jim Carroll workshop continues – 3 – (Bob Dylan)

This weekend,  following on from last weekend, transcription of  the 1980 Jim Carroll music and poetics workshop at Naropa continues.   For the two previous segments – see  here and here  

JC: And also I mean, like, people, eventually, knew where his [Bob Dylan‘s] influences were coming from, whereas they didn’t know where Lou (Reed)’s influences were coming from. Not as many people had read Delmore Schwartz as Allen Ginsberg and Rimbaud. And so, I don’t know, there were certain songs of Dylan’s which just got…I lost faith in, for a while, you know. And then … Read More