For a period during the 1950’s, Robert Duncan, along with the poets Charles Olson and Robert Creeley taught at Black Mountain College in North Carolina (In) 1954 John Wieners, the founder and editor of the magazine Measure was a student of Robert Duncan’s at Black Mountain. Weiners work deeply reflects that exploration which is so common to the work of Duncan, Creeley and others, the very personal inward exploration of the mind and body of love.
John Wieners reads from his ”Address of … Read More
This weekend marks the birth dates of two important figures in American poetry – John Wieners (born January 6) and Robert Duncan (born January 7). The two were featured together in 1968 in Robert O Moore’s groundbreaking WNET Poetry USA series.
Here is the video and a transcript of this particular episode (arguably, in the”wrong” order – Robert Duncan today, John Wieners will follow tomorrow)
“This program is dedicate to the work of Robert Duncan and John Wieners
This is the poet Robert Duncan born 1919, Oakland, California. Of his work, Duncan has written, “I make poetry as other men … Read More
This weekend, following on from last weekend, transcription of the 1980 Jim Carroll music and poetics workshop at Naropa continues.
For the two previous segments – see here and here
JC: And also I mean, like, people, eventually, knew where his [Bob Dylan‘s] influences were coming from, whereas they didn’t know where Lou (Reed)’s influences were coming from. Not as many people had read Delmore Schwartz as Allen Ginsberg and Rimbaud. And so, I don’t know, there were certain songs of Dylan’s which just got…I lost faith in, for a while, you know. And then … Read More
Above, courtesy the singular trove at Yale’s Beinecke Library, a five-dollar cheque written by Ezra Pound to Louis Zukofsky. Today is Ezra Pound’s birthday. Our extensive (and popular) 2011 Pound Birthday posting can be accessed here (our last year’s, 2012, update can be found here) – “To have gathered from the air a live tradition/or from a fine old eye the unconquered flame/This is not vanity” – “What thou lov’st well, shall not be reft from thee”
[Lawrence Ferlinghetti on Ezra Pound at Spoleto]… Read More
AG: I got turned onto that partly by Kerouac’s Mexico City Blues, which were divisions of thought into the spaces of a notebook page, but for larger draughts of thought, or larger breaths of thought, I got turned on to this form of open-page broken phrasing arranged in series out on the page by a long poem called “Leave the Word Alone” by Edward Marshall, which is [was – sic] in the Don Allen anthology, and was, I think, the first, about 1958, breakthrough of this kind of block form, where thoughts were spread around on the page … Read More
Allen’s 1976 Spontaneous Poetics Summer lectures continue with this, his fifth lecture, dated June 18, 1976. He continues from his earlier classes on the ballad form, but in this class begins by sketching out a brief bibliography, offering suggestions for reading. He consistently refers students to the then-growing Naropa Institute library. Ed Dorn, Christopher Smart, Basil Bunting and John Wieners are the first of a number of figures that he mentions.
AG (begins, distributing a leaflet with various writers names) : There’s something by everybody, here in the library. So it’s a reading-list, or it’s a list of … Read More