We continue with our transcript of his 1976 Bay Area Writers reading
RC I thought possibly to read a few of the poems that would’ve come from that time of ..of being in the city…just seeing their titles and…let’s see…”The Bed” [continues searching] – oh well.. this may get so awkward I won’t bother to ….
Robert Creeley would have been ninety-one tomorrow, May 21st (he died in 2005). In honor of the great man and his birthday, we present, this weekend, another transcription from the extraordinary Bay Area Writers series (from back in 1975-76) – (see also here and here) – Rudimentary recording equipment, so there are, understandably, a few technical problems (particularly at the beginning and the end of tape one (the main tape) but.. what a treasure! , what a remarkable record!
RC: I’m curious, like.. I gather some of you.. that this is a class for some of you and some … Read More
“Scholarly, wide-ranging and full of penetrating insight and fascinating literary gossip, the book is a major contribution to the core Beat canon, and provides an astonishingly intimate view of a homegrown American literary movement that would have a generative influence worldwide, inspiring generations of writers, visual artists, filmmakers, musicians and political activists across the globe..”… Read More
Allen sent the first six pages of this manuscript to Jack Kerouac, and Kerouac later sent them on to John Clellon Holmes. Holmes notes receipt on the top right-hand-corner, first page – “sent by Kerouac to me, Aug. 30, 1955 / JCH.”
[Allen Ginsberg reading and lecturing in Olomouc in the Czech Republic, 1993]
Allen’s new book, The Best Minds of My Generation, selections from Allen’s lectures (not to be confused with the lectures transcribed here on the Allen Ginsberg Project), “mercifully reduced to 455 pages, shorn of repetitions, student interventions and Ginsberg’s habit of beginning every sentence with “So” – (sic) – as the reviewer in the London Times would have it) continues to impress one and all.
Here’s an excerpt from Gaby Wood‘s review in London’s Daily Telegraph:
AG: But – wait a minute – but, if you did a little bit of work with Titos Sompa [Congolese-Californian teaching at Naropa] and [jazz-drummer] Jerry Granelli in analyzing, not analyzing, just learning, the basic Afric rhythms that they use ( you’ve heard them play, haven’t you?)
AG: Have you heard Titos Sompa? – What are their names, Titos and..?
AG: Bemba.. They are teaching basic African rhythms, (which are not very different from this kind of five.. five-beat rhythms – in fact, what they are … Read More