“Beat Generation, Ginsberg Corso, Ferlinghetti Viaggio in Italia”, (Beat Generation, Ginsberg, Corso, Ferlinghetti Travels in Italy), a show of over 200 black-and-white photos (accompanied by an apparatus of over 600 documents (books, first editions, printed ephemera, etc) curated and presented by photographer Enzo Eric Toccaceli, opened at La Galleria Nazionale d’Arte Moderna e Contemporanea di Roma (The National Gallery of Modern and Contemporary Art in Rome) last week, and will be up until April 2nd.. For more images from the show see … Read More
[Allen Ginsberg in his kitchen, 1988 – Photograph by Brian Graham]
The Toronto photo show, “Fleeting Moments, Floating Worlds..,“ that we mentioned last week continues. What we omitted to mention was the accompanying catalog (printed and designed by the legendary Coach House Press). As curator, John Shoesmith writes in the forward – “The accompanying catalog attempts to further the story behind the Ginsberg photographs. It contains the voices of several key individuals who were crucial to the poet’s “second coming” as a photographer, beginning in the mid-1980s; from the person who planted the seed within Ginsberg to … Read More
Looking forward and looking back, with the year’s first “Weekly Round-Up”, starting off with Allen Ginsberg – Fotografìa y Poetica Beat at the Photology Gallery in Garzon, Uruguay – the first ever showing of Allen’s photographs in South America! (this show is coming to a close, closing-date is next Tuesday, January 9).
Our focus today – Eric Mottram, (1924-1995), author of (among many other titles) the brief survey, Allen Ginsberg in the Sixties – a poet, critic and scholar, a central figure in the English/transatlantic connection, one of the earliest, most astute and most passionate, readers and observers and commentators on Allen’s work.
Mottram on Ginsberg, from a lecture, given at Kings College London, circa 1970
“He [Allen]’s very conscious now of finding strategies for being very very private in public.”
He goes on:
“But if you are going to say, “okay, private life is primary, the body is primary, … Read More
“The membrane between poetry and“song,” as we think of it in 2017, has always been flimsy and permeable; once all poems were songs. Ginsberg’s weird, wobbly singing [in “The Complete Songs of Innocence and Experience” CD] is sometimes dissonant, but it gets at something essential to Blake’s work. It’s as good a narration of the phases of a life as I can think of..”
Might we recommend, as a holiday gift, this holiday…?
The re-release of Allen’s William Blake … Read More
AG: Well, so we have “Go lovely..” and I was thinking – “Tell her that wastes her time and me” – “Tell her that wastes” (da da da da) – “her time and me” – “Tell her that wastes her time and me” – seems to be two halves, equally cadenced – “Tell her that wastes her time and me” – and that would be da da da-da – That’s the epitritus tertius – “Tell her that wastes her time and me.” If you were going to emphasize the more… not so much.. if you were going to be dwelling