[“After The Hurricane” (I938) Marsden Hartley (1877-1943)]
AG: If Shelley’s “Ode to The West Wind” brings the breath theme to the height of inspiration, or, you know, some great tempest of inspiration, this brings it up to a hurricane, in terms of the emotions, the imagery, and also the energy used to pronounce it and the meters used (and, as I said, the kinds of meters used are the meters that are used, that were used, at the height of classical Greek tragedy, at the moment of revelation). So, “The Hurricane”, by Hart Crane written in 1927, one of … Read More
Allen Ginsberg in the Archives at Stanford University
Today big news to report, Stanford University have finally completed a monumental task – the audio/video elements that were reformatted from the Ginsberg papers are now available as streaming media through their catalog. We’ll be focusing more on this in the weeks ahead. Meanwhile to access the Ginsberg catalog immediately – see here
(and read Stanford’s announcement of this, indeed, major “cause for celebration” – here)
Today, please be aware, is Hart Crane‘s birthday (born 1899. died off the Gulf of Mexico).
AG: Dochmiac, the dochmiac or dochmiac meter – D-O-C-H-M-I-A-C. However, when you reverse it like this [Allen shows on the blackboard] – where the two long feet or two (stresses) come first –ba-boom-boom ba-boom-boom – you get the hypo-dochmaic . Now this is a dochmaic or dochmaic meter (in) that form, and the one that we’re using (which you’ll come to again, so you might as well find out what this is … Read More
AG: – Is [Hart Crane’s] ”Atlantis” in here? – where you’ll find something similar [to Fulke Greville] there. The reason I was thinking of that little poem is that it’s got a lot of.. it’s a seminal poem that a lot of people have heard that got a little vibe out of – Crane’s Atlantis, and, if it’s not here, I’ll bring it in some other time …. Nine-forty-three..Hart? what? One-thousand-and-eighty-three – Hart Crane.. I’ll see if I can find a similar piece of rhetoric…No, “Atlantis” isn’t here.. Well, okay I’ll substitute for that another piece of … Read More