Friday’s Weekly Round-Up – 311

[Hal Chase, Jack Kerouac, Allen Ginsberg and William Burroughs, Morningside Heights, next to Columbia College, New York City, Winter 1944-45. photo c. Allen Ginsberg Estate]

The Best Minds of My Generation – A Literary History of the Beats – Bill Morgan’s masterly collection of Allen’s teaching wisdom   (from Naropa and Brooklyn College) appears today (official publication-day) from Grove Press (Grove Atlantic).

Here’s a few lines from Anne Waldman‘s lucid introduction:

“Allen Ginsberg devotedly, and with a loving perseverance, incubated these lectures on his primary literary Beat colleagues during his first teaching job at … Read More

Friday’s Weekly Round-Up – 307

[Am I Going Anywhere? – artwork, 1990, by Allen Ginsberg  (courtesy of Steve Silberman)]

Michael Schumacher‘s revelationary collection of fugitive pieces, First Thought, Conversations With Allen Ginsberg, out just this month is a must-read.  Here’s an excerpt (Allen on the necessities of drug legalization) – but there’s so much more.

[Allen Ginsberg Campaigning For Drug Reform, New York City, 1963 – Photograph by Benedict Fernandez]

Lawrence Ferlinghetti will celebrate his 98th birthday next week. Here he is interviewed by Penelope Bloom Aprile a student at San Francisco’s  Yick Wo Elementary School.

From the interview:

PBA: … Read More

Friday’s Weekly Round-Up – 305

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Hot news from Real Gone Music – reissues of two essential Beat albums (limited editions in vinyl) – Allen’s classic 1966 recording of Kaddish and the Jack Kerouac-Steve Allens recording Poetry For The Beat Generation, (Jack’s debut as a recording artist).

Both are officially due out April 7, but pre-ordering will be available and details will be announced soon.

For further information on both these records – see this comprehensive article –  here 

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& Just out from the Cambridge University Press, and available in paperback – The Cambridge Companion to The Beats – edited by Steve BellettoRead More

Bonnie Bremser

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Yesterday we spotlighted Ray Bremser, today we spotlight his sometime-wife Bonnie (nee Frazer) Bremser and the extraordinary document Troia-Mexican Memoirs (1969) (published in England as For Love of Ray (1971)), a “lost classic of Beat experimental writing.”

Heike Mlakar, in her 2007 book, Merely Being There Is Not Enough – Women’s Roles in Autobiographical Texts by Female Beat Writers, notes:

“The male-dominated Beat circle offered women only restricted freedom. For The Love of Ray, as well as the memoirs of other Beat women, criticizes the fact that women were doubly suppressed, by “square” society at … Read More