Friday’s Weekly Round-Up – 305

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Hot news from Real Gone Music – reissues of two essential Beat albums (limited editions in vinyl) – Allen’s classic 1966 recording of Kaddish and the Jack Kerouac-Steve Allens recording Poetry For The Beat Generation, (Jack’s debut as a recording artist).

Both are officially due out April 7, but pre-ordering will be available and details will be announced soon.

For further information on both these records – see this comprehensive article –  here 

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& Just out from the Cambridge University Press, and available in paperback – The Cambridge Companion to The Beats – edited by Steve BellettoRead More

Bonnie Bremser

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Yesterday we spotlighted Ray Bremser, today we spotlight his sometime-wife Bonnie (nee Frazer) Bremser and the extraordinary document Troia-Mexican Memoirs (1969) (published in England as For Love of Ray (1971)), a “lost classic of Beat experimental writing.”

Heike Mlakar, in her 2007 book, Merely Being There Is Not Enough – Women’s Roles in Autobiographical Texts by Female Beat Writers, notes:

“The male-dominated Beat circle offered women only restricted freedom. For The Love of Ray, as well as the memoirs of other Beat women, criticizes the fact that women were doubly suppressed, by “square” society at … Read More

Remembering Ray Bremser

Allen Ginsberg on the above image:

Ray Bremser master poet returned to New York after eight years’ absence wrinkle-faced as before, to attend my “Rainbow Body Reading Series” at Brooklyn College & same night read at St. Mark’s Church Poetry Project. Next evening we did two poetry readings shows together for jazz-club Village Vanguard anniversary week celebrations. He left early next morning by bus, for safety from drink, to his upstate New York Utica apartment. Saw him this way the night before all these poetry scenes, at my house, February 21, 1995″

This poem (“Blood”) was recorded in … Read More

First Thought – Conversations With Allen Ginsberg

imageVery happy to announce a new Allen Ginsberg book, due out next month from the University of Minnesota Press, Michael Schumacher’s First Thought – Conversations With Allen Ginsberg, an inspiring collection of transcripts and rarely-seen interviews.

From the publisher’s web-site:  “Here, through previously-uncollected interviews, we encounter Allen Ginsberg elaborating on how speech, as much as writing and reading, and even poetry, is an act of art. Revealing, enlightening, and often just plain entertaining. Allen Ginsberg in conversation is the quintessential twentieth-century American poet as we have never before encountered him; fully present in pitch-perfect detail.”

“Testifying before a Senate … Read More

Friday’s Weekly Round-Up – 302

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[Neal Cassady and Jack  Kerouac]

[Neal Cassady to Jack Kerouac – The Joan Anderson Letter via Heritage Auctions]

The legendary Joan Anderson letter is back in the news again. “The seminal piece of literature of the Beat Generation”, Neal Cassady’s epic letter to Jack Kerouac, which, for almost sixty years, was thought missing and then was miraculously rediscovered and put up for auction (only to, surprisingly, fail to reach its asking price) is up for auction again.

The auction date is March 8. Bidding begins approximately February 17th (next week). Full details may be found at Heritage Read More

Martin Torgoff’s Bop Apocalypse

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Bop Apocalypse – Jazz, Race, The Beats, & Drugs – putting the word out on Martin Torgoffs new book from Da Capo.

From the author’s web-site:  “Bop Apocalypse is largely the story of the evolution of jazz and its relationship to the Beats: the first time that drug use coalesced with music and literature, becoming a central element in the creation of an avant-garde American voice and underground cultural sensibility.”.

The book, (an  outgrowth of a chapter in an earlier book of Torgoff’s, and very much its compliment, Can’t Find My Way Home), “features vivid portraits of … Read More

Friday’s Weekly Round-Up – 300

[“Ground Zero for the Beat Generation” – Unidentified Woman reading from “Howl” inside the 7 Arts Coffee Gallery in New York City, c.1957 – Photograph by Dave Heath]

No Friday-Round Up last week, so a little catch up today, starting with Sean Elder’s Gary Snyder interview, “National Treasure,” in Lion’s Roar.

 [Gary Snyder at the Center For Interfaith Relations’ 2014 Festival of Faiths: Sacred Earth, Sacred Self]

GS: “The first time I met Allen Ginsberg was at Rexroth’s house—Allen had just come up from Mexico. The first time I saw  Kerouac was when Allen brought him to … Read More

Friday’s Weekly Round-Up – 299

The Best Minds of My Generation – Very pleased to announce a new Allen Ginsberg publication (due out in April)  from Grove Press – “A Literary History of the Beats” –  (“A unique and compelling history of the Beats, in the words of the movements most central member, Allen Ginsberg, based on a seminal series of his lectures”), edited, (as judiciously and informatively as ever), by Beat scholar, and our good friend, Bill Morgan

From the Grove Press web-site:

“In 1977, twenty years after the publication of his landmark poem “Howl” and Jack Kerouac’s On the Road, Allen Ginsberg … Read More

Friday’s Weekly Round-Up – 298

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The 2016 Pompidou Center Beat Generation show (currently up, in a revised version at ZKM in Karlsruhe, Germany) made it as number three in the art-site Hyperallergic‘s years-end list of the  “top 15 exhibitions around the world” . The artist-critic Joseph Nechvatal writes:  “The entire airy layout of the Centre Pompidou’s retrospective of the Beat Generation was flawless, delicately and luxuriously balancing the dim lighting requirements needed to show the mix of texts,paintings, photography, collages, ephemera, historical documents, magazines, book publications, jazz music, spoken-word recordings, and fantastic underground films. Its content was a hard rejection of American right-wing … Read More

Allen Ginsberg Reading in Baltimore -1978 -1

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[Allen Ginsberg, performing at the Maryland Institute College of Art via MICA Digital Initiatives Unit]

Last weekend we featured a reading by Allen at the Maryland Institute of Art dating from 1969 (one of a number of extraordinary tapes recently digitalized and made available on-line by the Institute’s Decker Library). Today we feature another from that trove, Allen reading and performing at that same venue almost a decade later. Once again, alongside his own work, (accompanied by the ubiquitous harmonium, and a hastily picked-up, confessedly under-rehearsed, guitar-player – “Hoppy from The Moronics”), he performs versions of William Blake, Read More