Friday’s Weekly Round-Up – 312

Great news! – Omnivore Recordings, and Pat Thomas, (who gave us last year the extraordinary The Last Word on First Blues), are issuing, as a two-CD package, Allen Ginsberg’s The Complete Songs Of Innocence And Experience,  is both a reissue of Allen’s original Blake release from 1969 on MGM, with the unreleased 1971 recording sessions that were to be Blake Volume 2.  The release will include, along with the two CDs, a booklet featuring several unseen photos, alongside revealing new interviews, conducted by Thomas himself, with the original session musicians. Release-date is June 23.  For more … Read More

Friday’s Weekly Round-Up – 311

[Hal Chase, Jack Kerouac, Allen Ginsberg and William Burroughs, Morningside Heights, next to Columbia College, New York City, Winter 1944-45. photo c. Allen Ginsberg Estate]

The Best Minds of My Generation – A Literary History of the Beats – Bill Morgan’s masterly collection of Allen’s teaching wisdom   (from Naropa and Brooklyn College) appears today (official publication-day) from Grove Press (Grove Atlantic).

Here’s a few lines from Anne Waldman‘s lucid introduction:

“Allen Ginsberg devotedly, and with a loving perseverance, incubated these lectures on his primary literary Beat colleagues during his first teaching job at … Read More

Allen Ginsberg in Austin – Interview – 1978

Interviewer: So we want to figure out what’s best, you know, what will be most comfortable for you. What I want to do is an oral history of the ‘Sixties and Austin’s an interesting area because there’s a major university with a lot of anti-war… There was a segregtion case, a very famous law case here in 1959. There’s been an awful lot of work with the valley farm workers and Chicanos, plus we”ve got the Rothschilds here [sic], we’ve got all of LBJ‘s legacy. Basically, Austin’s sort of conservative but with the university and the State Capitol here, … Read More

Friday’s Weekly Round-Up – 305

ag-kaddish

Hot news from Real Gone Music – reissues of two essential Beat albums (limited editions in vinyl) – Allen’s classic 1966 recording of Kaddish and the Jack Kerouac-Steve Allens recording Poetry For The Beat Generation, (Jack’s debut as a recording artist).

Both are officially due out April 7, but pre-ordering will be available and details will be announced soon.

For further information on both these records – see this comprehensive article –  here 

jack-k-album

& Just out from the Cambridge University Press, and available in paperback – The Cambridge Companion to The Beats – edited by Steve BellettoRead More

Bonnie Bremser

screenshot-2017-02-08-23-12-18

screenshot-2017-02-08-23-16-07

71niszby3ul-_ac_ul320_sr220320_

Yesterday we spotlighted Ray Bremser, today we spotlight his sometime-wife Bonnie (nee Frazer) Bremser and the extraordinary document Troia-Mexican Memoirs (1969) (published in England as For Love of Ray (1971)), a “lost classic of Beat experimental writing.”

Heike Mlakar, in her 2007 book, Merely Being There Is Not Enough – Women’s Roles in Autobiographical Texts by Female Beat Writers, notes:

“The male-dominated Beat circle offered women only restricted freedom. For The Love of Ray, as well as the memoirs of other Beat women, criticizes the fact that women were doubly suppressed, by “square” society at … Read More

Martin Torgoff’s Bop Apocalypse

51ybm0ohyl

Bop Apocalypse – Jazz, Race, The Beats, & Drugs – putting the word out on Martin Torgoffs new book from Da Capo.

From the author’s web-site:  “Bop Apocalypse is largely the story of the evolution of jazz and its relationship to the Beats: the first time that drug use coalesced with music and literature, becoming a central element in the creation of an avant-garde American voice and underground cultural sensibility.”.

The book, (an  outgrowth of a chapter in an earlier book of Torgoff’s, and very much its compliment, Can’t Find My Way Home), “features vivid portraits of … Read More

Allen Ginsberg Reading in Baltimore -1978 -1

baltimore

[Allen Ginsberg, performing at the Maryland Institute College of Art via MICA Digital Initiatives Unit]

Last weekend we featured a reading by Allen at the Maryland Institute of Art dating from 1969 (one of a number of extraordinary tapes recently digitalized and made available on-line by the Institute’s Decker Library). Today we feature another from that trove, Allen reading and performing at that same venue almost a decade later. Once again, alongside his own work, (accompanied by the ubiquitous harmonium, and a hastily picked-up, confessedly under-rehearsed, guitar-player – “Hoppy from The Moronics”), he performs versions of William Blake, Read More

Friday’s Weekly Round-Up – 295

howl-and-kaddish

screenshot-2016-12-06-15-37-05

[Two early French editions from 10/18, Editions Christian Bourgois]

 

The European Beat Studies Network’s 2017 Annual Conference, the sixth, (this past year (2016), it was held in Manchester, England), will have a decidedly Francophile bent this coming year – “Paris Interzone – The Transcultural Beat Generation (Collaboration, Edition, Translation)”.

From the announcement by the conference organizers:

“This year’s conference will honor and address the key role that the French capital and Francophone cultures have played in the transculturalism of the Beats, by welcoming submissions in both French and English and holding a plenary session on language barriers and … Read More

The Unknown Kerouac

Just out from Library of America – The Unknown Kerouac – edited by Todd Tietchen (with several texts newly translated from the French by Jean-Christophe Cloutier

The publishers write:    “Edited and published with unprecedented access to the  (Jack) Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the esoecially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time  by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial

Read More